RSS
 

Two Howard Hill Short Films featuring Errol Flynn’s Sirocco!

27 Sep

With Errol unaccredited:

Check them out:

youtu.be/0bcV9sa5lZA…

 

— David DeWitt

 
6 Comments

Posted in Documentaries, Flynn and..., Flynn-related

 

Leave a Reply

You must be logged in to post a comment.

 
 

  1. Gentleman Tim

    September 27, 2019 at 7:30 pm

    Sensational, David. Thanks for posting. These uniquely great projects of Errol’s are yet further wonderful examples of why Flynn was, and still is, in a league of his own.

    [img]https://peterostecher.files.wordpress.com/2011/12/flynn-bow-arrow-ketch-sirocco_opt.jpg[/img]

    Here’s another, this time angling in Acapulco on the Zaca. The Gipper’s gone, but the Skipper’s there throughout:

     

    • rswilltell

      September 30, 2019 at 3:21 pm

      Thank-you David and Tim for unearthing these little movie gems for all of us to enjoy. The Warner shorts are first-rate! Howard Hill is an incredible archer! Ralph Schiller

       

      • David DeWitt

        October 2, 2019 at 1:20 am

        You are certainly welcome, kind sir …

         

  2. shangheinz

    October 1, 2019 at 5:50 am

    And then came Tembo- the film sponsored by Errol overruling Al Blum‘s objection: youtu.be/buyE2sYXU5Y…

     

    • Tim

      October 1, 2019 at 9:06 am

      you have an elephant’s memory, historyhunterheinz.

      Howard should have shot the blooming arrow at Blum instead.

      The following is the forward written by Errol for Howard’s book, WILD ADVENTURE

      When you meet Howard Hill you know darn well you have met him before, but you can not remember where or when.

      Let me solve your problem. If, like myself, you sometimes find yourself hanging on a bar rail and staring over the head of the bar-tender, behind those character-destroying bottles of Four Posies or Old Step Mother, you will spot Hill. There you will see a reproduction of a painting, the cultural contribution of some beer cartel like Somebody and Rusch, depicting Custer’s Last Stand. That American aborigine, that Indian on the piebald pony is Hill. Yes, the guy giving out with the blood­curdling war whoop, drawing a bead on the heroic general (if a bead can be drawn with a bow and arrow Hill is the one who can do it) is our boy. This is no quaint flight of fancy; It has to be Hill. God knows, I have stared at both Hill and his weapon often enough, chilled to the marrow.

      When Hill goes after any living creature with his bow for whatever reason, whether for food, motion pictures or sport, he has the same intensity, the same piercing black eyes, the same unmistakable snarl, leering with the triumph of the Indian about to wade up to his navel in the gore of the Paleface, He may be stalking only a rabbit, but it is still Hill.

      He calls himself a Cre, I think, and is inordinately proud of it, But he is a real Indian, make no mistake, as this Paleface knows. Confronted by Hill bearing down upon me over the bar on that pinto pony charging over countless hordes of Four Posies, I have always felt a keen sympathy for the unlucky Custer.

      It is only our long and enduring friendship (based upon a mutual love for hunting and the Great Outdoors) that has induced me to write this foreword to his book, a thing I would do for no one else. As yet, being on a different continent from him at the moment, I have not had a gander at Howard’s book, but I am sure it is a work calculated to bring out the best kind of savagery in American youth. The book is a cinch to stir many a nervous pulse as Hill has stirred mine in the past. It has to be filled with wild adventure. In it naturally, he will not tell you of the time we were out hunting mountain lions, and having just lassoed one, he had the frenzied brute screeching and turning somersaults at the end of a rope snubbed around a tree. Suddenly Howard yelled, “Here, hold this, and I did, only to find out that I had hold of the tail of the enraged cat instead of the rope. Nor, I suppose, will this savage recount another incident that occurred while we were hunting wild boar on Sana Cruz Island when he left me hanging on the side of a cliff several hundred feet above the rocky sea-shore. While he sat in safety fifty yards away, eating boiled eggs and going into sporadic gales of laughter, he watched me suffer the terrors of chronic vertigo, too petrified to move an inch. Yes, Hill is an Indian.

      Although no Indian myself, and having no claim to being perhaps even an exceptional hunter, yet I do have much in common with Hill. The wailing note of the loon floating across a placid lake, the distant high pitched cry of the timber wolf, the roar of the jaguar and the blood-curling cough of the charging wild boar, call to some deep inner response within us both that is not acquainted with modern civilization.

      “Cupid” Hill, as I have called Howard ever since we first met while making the picture Robin Hood, has done things with a bow and arrow that few have essayed with the rifle and I for one am going to read his book with great nostalgia, for some of the truly wonderful moments of my life have been spent tagging at Howard’s heels on our hunting trips in many strange corners of the world.

      ERROL FLYNN
      Rome, Italy

       

  3. Gentleman Tim

    October 1, 2019 at 1:12 pm

    you have an elephant’s memory, historyhunterheinz. thank you for the trunkful you’ve provided here.

    Howard should have shot the blooming arrow at Blum. It would have saved Errol a mammoth amount of trouble down river.

    …

    The following is the forward to Howard’s book, WILD ADVENTURE, written by Errol.

    When you meet Howard Hill you know darn well you have met him before, but you can not remember where or when.

    Let me solve your problem. If, like myself, you sometimes find yourself hanging on a bar rail and staring over the head of the bar-tender, behind those character-destroying bottles of Four Posies or Old Step Mother, you will spot Hill. There you will see a reproduction of a painting, the cultural contribution of some beer cartel like Somebody and Rusch, depicting Custer’s Last Stand. That American aborigine, that Indian on the piebald pony is Hill. Yes, the guy giving out with the blood­curdling war whoop, drawing a bead on the heroic general (if a bead can be drawn with a bow and arrow Hill is the one who can do it) is our boy. This is no quaint flight of fancy; It has to be Hill. God knows, I have stared at both Hill and his weapon often enough, chilled to the marrow.
    When Hill goes after any living creature with his bow for whatever reason, whether for food, motion pictures or sport, he has the same intensity, the same piercing black eyes, the same unmistakable snarl, leering with the triumph of the Indian about to wade up to his navel in the gore of the Paleface, He may be stalking only a rabbit, but it is still Hill.

    He calls himself a Cre, I think, and is inordinately proud of it, But he is a real Indian, make no mistake, as this Paleface knows. Confronted by Hill bearing down upon me over the bar on that pinto pony charging over countless hordes of Four Posies, I have always felt a keen sympathy for the unlucky Custer.

    It is only our long and enduring friendship (based upon a mutual love for hunting and the Great Outdoors) that has induced me to write this foreword to his book, a thing I would do for no one else. As yet, being on a different continent from him at the moment, I have not had a gander at Howard’s book, but I am sure it is a work calculated to bring out the best kind of savagery in American youth. The book is a cinch to stir many a nervous pulse as Hill has stirred mine in the past. It has to be filled with wild adventure. In it naturally, he will not tell you of the time we were out hunting mountain lions, and having just lassoed one, he had the frenzied brute screeching and turning somersaults at the end of a rope snubbed around a tree. Suddenly Howard yelled, “Here, hold this, and I did, only to find out that I had hold of the tail of the enraged cat instead of the rope. Nor, I suppose, will this savage recount another incident that occurred while we were hunting wild boar on Sana Cruz Island when he left me hanging on the side of a cliff several hundred feet above the rocky sea-shore. While he sat in safety fifty yards away, eating boiled eggs and going into sporadic gales of laughter, he watched me suffer the terrors of chronic vertigo, too petrified to move an inch. Yes, Hill is an Indian.

    Although no Indian myself, and having no claim to being perhaps even an exceptional hunter, yet I do have much in common with Hill. The wailing note of the loon floating across a placid lake, the distant high pitched cry of the timber wolf, the roar of the jaguar and the blood-curling cough of the charging wild boar, call to some deep inner response within us both that is not acquainted with modern civilization.

    “Cupid” Hill, as I have called Howard ever since we first met while making the picture Robin Hood, has done things with a bow and arrow that few have essayed with the rifle and I for one am going to read his book with great nostalgia, for some of the truly wonderful moments of my life have been spent tagging at Howards heels on our hunting trips in many strange corners of the world.

    [img]https://peterostecher.files.wordpress.com/2011/12/howard-hill-errol-flynn-peter-o-stecher-legendstick-scirrocco-001.jpg[/img]