Released on this date, April 25, in 1957
Here is a first rate review of Errol’s performance:
— Tim
April 25, 1938
Elizabeth Yeaman
Hollywood Citizen News
Although Warners aren’t saying anything about it yet, I understand that beginning this morning Errol Flynn is A.W.O.L Flynn was told to be on the set this morning to start work on Because of a Man, which is the new title for Sister Act, in which the Lane Sisters will be featured. The last I heard of Flynn he was in Florida waters aboard his yacht, and the studio sent out stories that he was shooting devil fish with his Robin Hood’s bow and arrow!
…
— Tim
Which was Safer?
April 25, 1939
Jimmy Starr
Evening Herald Express
It isn’t news that Errol Flynn and wifey, Lili Damtat often engage in what is any married couple’s right -yiu a slight family spat, or mild disagreement. But it is rather important when said argument saves them from possible physical injury.
The other day Errol decided to purchse a low-wing monoplane. He had just given a check for payment when the row started. Errol interrupted the verbal excitement long enough to tell his friend, Bud Ernst, to try out the plane.
While Errol and Lili were settling their differences, Bud was gracefully sailing through the air in the new plane. When he started to land, however, spectators were horrified to see him start the descent minus the landing gear.
Ernst pancaked the plane to the ground but with slight damage. Had Errol and Lili been on the plane, the “belly” landing would have been impossible without a serious crack-up. Ernst explained that the lever operating the retractable gear had jammed.
And that’s the story of a spat that was worth while.
…
In actuality, Errol may have been safer in the air with his buds than he was on the ground with Lili. Dueling with the Red Baron in the skies above France may have been less challenging than drinking Pink Champagne with Fleen’s Red Hot Dame from France in the hills above Hollywood.
— Tim
So said Sidney Skolsky on this date in 1944
Here she is, Miss Atlantic City, circa the mid-Forties, the days Errol and her were said to (very briefly) be “a thing”
— Tim
AUTOGRAPH ARMY ALWAYS ON TRAIL OF CINEMA STARS
Restaurant Employee Pays For Olivia De Havilland’s Meals For Signature
REDEEMS HER CHECKS
Player Is Now With Errol Flynn in “Adventures of Robin. Hood”
By FRANK HEACOCK Hollywood,Cal., March 3, 1938
The prophet may be without honor in his own country but the movie star certainly isn’t. One of the demonstrations of the honor in which the screen darlings are held is their pursuit by autograph hunters. And nowhere does the autograph hunter flourish more lustily than in California, country of the movies. And California signature-seekers have several times achieved new highs of ingenuity in devising methods of obtaining the coveted name scrawls of their film favorites. Most unusual of them came to light recently during the filming of “The Adventures of Robin Hood,” when the company was on location near Chico, Calif.
Signs the Checks
When a film troupe is on location, be it explained, the studio takes care of meals and accommodations for its members. And to simplify the business of paying for meals the studio arranges for members of the company to sign their checks; a company auditor paying them later. Members of the “Adventures of Robin Hood” company, in which Errol Flynn and Olivia de Havilland are co-starred, ran up a healthy accumulation of meal checks to be paid off. But a week after her arrival at Chico it was found no meal check signed by Miss de Havilland had turned up at the hotel where she was staying.
Auditor Stumped
Now Miss de Havilland, by her own admission, is a girl who likes her victuals. She wasn’t on a diet and she certainly wasn’t paying for for own meals. The auditor couldn’t figure it out.
Sold Autographs
Investigation disclosed that a kitchen employee had been removing her “autographed” meal checKs from the daily collection and dropping into the cash register an amount equivalent to the price of her meals. The hotel employee then proceeded to sell the “autographs” to a Hollywood autograph broker of whom there are dozens. The broker, according in the avid autograph collector, was paying him fifty cents more for each signature than the check bearing it cost him. Considering that there was nothing intrinsically dishonest in his actions, the hotel contented itself with a reprimand and a proposal that he denote his profits to a local charity. But by that time eighteen Olivia de Havilland autographs had found their ‘way to market’.
Tribute to California’s ingenious autograph hunters. Tribute, too, to the healthy appetite Miss de Havilland worked up during the making of “The Adventures of Robin Hood” in Chico’s bracing atmosphere.
…
— Tim
April 22, 1938
Harrison Carroll
In Belfast, Olivia de Havilland spent a day with Errol Flynn’s parents. His father, a professor of biology at Queen’s University, still isn’t sold on Flynn’s acting career. He told Olivia he wishes that Errol would give up the cinema, return to Ireland, and take up a more serious profession.
Warners would be satisfied if he would even get off his yacht and return to Hollywood.
…
Making movies with Olivia was a very gracious thing.
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And a very passionate thing.
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Errol was right, and right on time, not to miss that train!
— Tim
April 20, 1936
Harrison Carroll
Evening Herald Express
Errol Flynn and Lili Damita don’t intend to live all the time on the ranch where he expects to raise hogs. They are building a house -n the Laurel Canyon district. One of the most unusual houses in Hollywood, too, for it will be modeled after Flynn’s ancestral home in Belfast. Incidentally, did you know that Errol was not born in Ireland? It was New Zealand while his father and mother were on a scientific expedition.
— Tim
April 18, 1938
Sidney Skolsky Presents
Hollywood Citizen News
Errol Flynn and Warner Brothers are feuding, with Mr. Flynn having told the studio that he will return from his vacation when he feels like it.
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April 18, 2005
IN LIKE FLYNN
No film star ever bettered Errol Flynn in tights, but he was the soul of insouciance even when he wore a cavalry uniform or bluejeans. That’s the revelation of “Errol Flynn: The Signature Collection” (Warner Home Video), which features the athletic, rakish star not just as an inspired Sir Francis Drake take-off in the vivid “The Sea Hawk” (1940) and as an uncharacteristically stiff Earl of Essex in “The Private Lives of Elizabeth and Essex” (1939) but also as a gallant General George A. Custer in “They Died with Their Boots On” (1941) and as a gritty frontier sheriff in the colorful Western potboiler “Dodge City” (1939). The set includes a surprisingly frank biographical portrait, “The Adventures of Errol Flynn.”
But the key film in the set is the sweeping, ebullient swashbuckler “Captain Blood” (1935). Three years before he became the most dashing Robin Hood yet (in “The Adventures of Robin Hood,” available on a separate Warner DVD), the young Australian actor, in his Hollywood breakthrough, proved his panache at righting wrongs. In this film, based on Rafael Sabatini’s 1922 novel about seventeenth-century pirates of the Caribbean and directed by Michael Curtiz, Flynn is Peter Blood, a peaceful doctor who makes the mistake of treating a rebel during the tumultuous reign of King James II and ends up a slave in Jamaica. The ravishing Olivia de Havilland (Flynn’s frequent co-star) plays the feisty, sympathetic niece of the tyrannical British slave owner; Blood and a barracks full of enslaved rebels (good men all) make their escape by stealing a Spanish ship and becoming buccaneers.
Flynn combined aristocratic dash with rebel flair—in “Captain Blood,” he defies the ruling order with absolute confidence. At one point, de Havilland says, “I believe you’re talking treason.” Flynn replies, “I hope I’m not obscure.” (This exchange has a close echo in “Robin Hood,” when de Havilland exclaims, “You speak treason!” and Flynn responds, “Fluently.”) In his autobiography, “My Wicked, Wicked Ways,” Flynn wrote that “youthful and virile roles” like cowboys and swordsmen “require gusto and genuine interest—such as I had felt at the time I was making ‘Captain Blood’ and ‘Robin Hood.’ ” He’s right: in these movies, his exuberance irradiates the screen.
Published in April 18, 2005, print edition of The New Yorker.
— Tim