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Archive for March, 2021

A Novel Idea

24 Mar

March 23, 2021

Errol to the Rescue

“The Movie Adventures Of Eva Jordan” by Jan Hill.


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“As she sits daydreaming in her seventh-grade classroom one September afternoon in 1937, Eva Jordan finds a curious note from her friend Ned. He hints that a Hollywood crew is about to descend upon their small northern California town to make a movie about Robin Hood, the legendary medieval archer who robbed the rich to help the poor. Eva, who has not yet been allowed by her parents to attend a movie, suspects Ned is joking or has his facts wrong. But within a short few weeks, she is watching the filming of The Adventures of Robin Hood. She realizes that Ned, who has suddenly and confusingly become more than a friend, is changing, is growing up, as she is, even though he still sometimes acts like a “dumb boy.” The two pal around Chico together more and more as the autumn days unfold, and together they try out as “extras” in the movie-and to their surprise, are chosen. Meanwhile, their much-admired teacher has started talking at length about a civil war raging in Spain. He explains that the socialist forces, who are mostly poor, are currently fighting the fascist forces, who are mostly rich, and who have illegally seized power. Eva sees parallels to the Robin Hood story, and then suddenly, their teacher is gone, accused by the school board of being a communist. Bewildered and worried, Eva learns that Errol Flynn, who plays Robin Hood in the movie, recently traveled to Spain to see the war firsthand, and returned with a call for peace. Along with their school friends, Eva and Ned devise what they know is a crazy plot to surprise Flynn on the movie set, introduce themselves, and beg for his help in their teacher’s cause by appealing to his “Robin Hood” side. Things don’t go exactly the way they planned, but in the end, chaos returns to order, and Eva and Ned sit happily with their classmates watching the movie they not only saw being filmed, but actually appear in.”

— Tim

 

In Memory of Patrice

22 Mar

BIRTH: December 17, 1926
Miltonvale, Cloud County, Kansas, USA
DEATH: March 22, 2014 (aged 87)
Portland, Jamaica

The Last Mrs. Flynn discusses Errol

— Tim

 

Spectre

22 Mar

Dear Flynnmates,

always on the outlook for Flynn material, I bought me a(n old) man`s magazine. No, not for the interview. It features an article about Errol`s best man Freddie McEvoy`s untimely demise. The adress where I got it from struck me to some extent. Can it be it came from the estate of the man of River deep-mountain high fame and Second-degree murder infame?

Spector or spectator- who with a NY connection knows if we got the real Phil here?

Enjoy,

— shangheinz

 

En Mémoire de Lili 🇫🇷

22 Mar

Born: July 10, 1904, Blaye, France
Died: March 21, 1994, Palm Beach, FL

— Tim

 

End of An Era – Errol and Warner Brothers

21 Mar

New York Times

March 20, 1954

ERROL FLYNN ENDS PACT AT WARNERS; Actor and Studio Agree to Part

HOLLYWOOD, Calif., March 19 — Errol Flynn and Warner Brothers have agreed to an amicable termination of their twenty-year association. VIEW FULL ARTICLE IN TIMESMACHINE »


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WARNER BROTHERS’ FEATURE FILMS WITH FLYNN, with costs and earnings:

Murder in Monte Carlo (1934) – cost and earnings not available

Case of the Curious Bride (1935) – cost and earnings not available

Don’t Bet on Blondes (1935) – cost and earnings figures not available

Captain Blood (1935) – cost $995,000, earnings $2,475,000

The Charge of the Light Brigade (1936) – cost $1,076,000, earnings $2,736,000

Green Light (1937) – cost $513,000, earnings $1,667,000

The Prince and the Pauper (1937) – cost $858,000, earnings $1,691,000

Another Dawn (1937) – cost $552,000, earnings $1,045,000

The Perfect Specimen (1937) – cost $505,000, earnings $1,281,000

The Adventures of Robin Hood (1938) – cost $2,033,000, earnings $3,981,000

“Four’s a Crowd” (1938) – cost and earnings not available

“The Sisters” (1938) figures – cost and earnings not available

The Dawn Patrol (1938) – cost $500,000, earnings $2,185,000

Dodge City (1939) – cost $1,061,000, earnings $2,532,000

The Private Life of Elizabeth and Essex (1939) – cost $1,073,000, earnings $1,613,000

Virginia City (1940) – cost $1,179,000, earnings $2,120,000

The Sea Hawk (1940) – cost $1,701,000, earnings $2,678,000

Santa Fe Trail (1940) – cost $1,115,000 earnings $2,533,000

Footsteps in the Dark (1941) – cost and earnings not available

Dive Bomber (1941) – cost $1,204,000, earnings $2,613,000

They Died with Their Boots On (1941) – cost $1,358,000, earnings $4,014,000

Desperate Journey (1942) – cost $1,209,000 earnings, $3,980,000

Gentleman Jim (1942) – cost $972,000 earnings, $3,842,000

Northern Pursuit (1943) – cost $1,290,000 earnings, $3,252,000

Edge of Darkness (1943) – cost $1,653,000 earnings, $3,669,000

Thank Your Lucky Stars (1943) – cost $1,560,000, earnings $3,621,000

Uncertain Glory (1944) – cost and earnings not available

Objective Burma (1945) – cost $1,592,000 earnings, $3,961,000

San Antonio (1945) – cost $2,232,000, earnings $5,899,000

Never Say Goodbye (1946) – cost $1,011,000, earnings $2,603,000

Cry Wolf (1947) – cost $1,461,000, earnings $2,690,000

(The Lady from Shanghai – uncredited cameo appearance)

Escape Me Never (1947) – cost $1,900,000, earnings $1,569,000

Silver River (1948) – cost $3,204,000, earnings $3,484,000

The Adventures of Don Juan (1948) – cost $3,408,000, earnings $4,772,000

Montana (1950) – cost $1,589,000, earnings $3,647,000

Rocky Mountain (1950) – earnings $2,000,000 (North America)

Maru Maru (1952) – cost and earnings not available

The Master of Ballantrae (1953) – earnings $2,000,000 (North America)

Too Much Too Soon (1958) – cost and earnings not available

— Tim

 

Love at first fight

20 Mar

Dear Flynnmates,

I want to share with you an (at least to me) unknown image of Laddie Errol and Lady Livvie.

Both visibly enjoy each others company, our Hollywood hero even gives it a two arrows up.

The pic must have been taken at the early stages of filming The Adventures of Robin Hood, since Flynn wears the knight outfit for the later on cancelled jousting tournament scene.

The idea originated from the grand opening in the original ROHO- movie: (163) Robin Hood (Klassiker von und mit Douglas Fairbanks [ABENTEUER 1922] Stummfilm, ganzer Film Deutsch) – YouTube

Enjoy,

— shangheinz

 

Partners at LaMaze*

18 Mar

* The “cafe”/restaurant/nightclub, not the natural childbirth technique.

The partners were:

Errol and Lili
Dolores and Cedric
Marlene and Gilbert(?)
Howard and Frances
______________

March 18, 1936

Louella O. Parsons
Los Angeles Examiner

Errol Flynn, Lili Damita, Gilbert Roland, Marlene Dietrich, Dolores Del Rio and Cedric Gibbons at the Cafe LaMaze in a party; at a nearby table Howard Hughes and Frances Drake.*

* The actress, not the explorer.

— Tim

 

A Giant St. Patty’s Day Quiz

17 Mar

Errol was once a guest at a giant St. Patrick’s Day Party. Where was it and who was the host?

– It may have been the largest St. Patrick’s Day celebration ever thrown by a private person.

– Many dozens of Hollywood celebrities attended.

– The millionaire host wore sunglasses the day of the party, reportedly because he had a black eye he earned in a fistfight while greeting or preparing to greet celebrities.

— Tim

 

The Virginia City Premier — March 16, 1940

16 Mar



— Tim

 

Ides of March, 1933 — Errol’s First Public Screening

15 Mar

March 15, 1933

Sydney Morning Herald

EXPEDITIONARY FILMS LTD. “BOUNTY” PICTURE LAUNCHED!!

To-day, at the Prince Edward Theatre, the film, “In the Wake of the Bounty,” which Mr. Charles Chauvel produced recently, with Tahiti and Pitcairn Islands as the principal backgrounds, will be given its first public screenings.

At the Australia Hotel yesterday, the directors of Expeditionary Films Ltd., under whose auspices Mr. Chauvel has made the film, entertained members of the Press and the motion picture Industry at luncheon.

Mr. S. Utz (Chairman of Expeditionary Films, Ltd.) presided. COL. M. P. Bruxner, who is a member of the company, outlined some of the difficulties which Mr. Chauvel had to face In making the film; difficulties of transport; difficulties of organisation; and, finally, difficulties of censorship. The members of the company, being amateurs in the film business, had been amazed, and then appalled, at the amount of obstinacy and pugnacity which had to be displayed, before a film finally reached its public.

Mr. C. Brunsdon Fletcher spoke of the essential soundness and solidarity of the British Empire, in a world where every other nation was reeling beneath the shock of disaster (the depression). After all, it was human character, as expressed in national outlook, which remained the predominating factor. The producers of this film had done something decisive and valuable to make their country known elsewhere.

Mr. Hec C. MacIntyre (Managing Director of Universal Films – Aust) said that his Company considered it was only doing Its duty in trying to establish Australian films abroad. The launching of the Australian product In England, was no easy matter, either. The English exhibitor was conservative. He preferred to concentrate on English and American productions. Some of the earlier Australian films had been extraordinarily difficult to market. In Mr. Chauvel’s picture, however, he was confident that he had something to appeal to the tastes of the whole world.

Mr. H. Saxton (Secretary of Expeditionary Films) also spoke.

— Tim