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Emmy Lou lives Errol Flynn!

06 Oct

Marty Links who did the pipular series Emmy Lou in the 50’s was actually a woman named Martha B. Links. Belown from Wikipedia is a description of how she worked on the series.

When I first started with the syndicate, I drew only daily panels. After we sold to a few papers, they asked for a Sunday page. This was impossible to handle alone, so Jerry Bundsen and Ted Martine came into my life. Jerry, who works for The San Francisco Examiner with Herb Caen, the columnist, has been writing my daily gags for 11 years. Once a week, he sends me a large batch of gags from which I select what I want and like. If there aren’t enough to make up a week, I fill out with my own ideas—which drives Jerry mad! He claims if he sent me 60 gags I would be unable psychologically to select more than four out of the bunch. This isn’t so at all. After selecting the four best gags, I pencil in the whole week of dailies. These go to Ted Martine, the world’s best artist. (I should be working for him.) He inks in all the pencilled backgrounds. When they are returned I ink in the figures. I have pencilled them in rough enough so that I change as I go along. This keeps the action loose and fresh. In addition, I draw from models constantly, then use the sketches as reference. With the outlines of the furniture inked, for instance, I add details like prints and upholstery, flowers in bowls, fringe on curtains, etc. My husband claims I can’t stand a plain white space. But it’s this detail which gives a homey touch. As a matter of fact I draw all the furniture in our home. I often think I’d like to recover the worn upholstery in a Popsicle-colored background so the Popsicle stains will not show. As to the Sunday panels, these I dream up myself, and it is more work than everything else put together. I feel each idea is the last one I’ll ever be able to eke out. Also I meditate (or should I say brood?) on my own girlhood, which was a long time ago, believe me. But once the mind starts going back, it’s amazing how much it remembers.

The pilot for a proposed series based on Emmy Lou aired as a second-season episode of Mister Ed. The role of Emmy Lou was played by Noanna Dix. Her parents were played by George O’Hanlon and Jeff Donnell.

By the time her children became adults, Links felt the strip no longer represented teens, as she told columnist Caen, “Everything I know about teenagers today is unprintable.” Thus, she brought Emmy Lou to an end in December 1979.

— David DeWitt

 
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Neil Young: Hollywood Reporter Review of new film In Like Flynn!

03 Sep

Neil Young sends us to his Review of In Like Flynn, the new film based loosely on Errol’s book Beam Ends, produced by Luke Flynn.  Thanks, Neil!

 

“Thomas Cocquerel takes the title role in cult Australian director Russell Mulcahy’s early-years biopic of famed swashbuckler Errol Flynn.

Reveling in the exploits of a legendary Lothario who is a most unlikely subject for a celebratory biopic during the current #MeToo era, comeback-kid Russell Mulcahy’s In Like Flynn triumphs as a disgracefully entertaining romp that packs an unexpected emotional wallop.

Chronicling the adventurous late youth of golden-age Hollywood swashbuckler Errol Flynn, the handsomely mounted production is inevitably brimming with boozing, brawling and bedding. But while rising Aussie star Thomas Cocquerel is suitably dashing as his notorious countryman — whose name, 59 years after his premature demise, remains a byword for bawdy offscreen excess — the real breakout here is British actor Clive Standen, comprehensively stealing the show in a flashy supporting role.”

Read more

— David DeWitt

 

How to Add an Image to a Comment!

01 Sep

Please download this PDF:

How to Add an Image to a Comment

— David DeWitt

 

Huntington Hartford and Errol Flynn!

26 Aug

Here is a nice poster from Huntington Hartford’s production of The Master of Thornfield, and below an audio recording made with Errol by Tony Thomas who interviews him in the basement of another theatre for the Huntington Hartford produced Jane Eyre … the usual recording length is 24.56 but the version I found years ago is some eight minutes longer.

Requiem for a Cavalier:

— David DeWitt

 

Is This Errol Flynn’s Gold Mine?

23 Aug

Well, is it?

— David DeWitt

 

Some nice Zaca Photos! Errol with Pat Wymore …

23 Aug

— David DeWitt

 

Amazing Errol Flynn Art of David Trioux!

21 Aug

David Trioux shares his wonderful art with us! His work is superb …

Thanks David Trioux!

— David DeWitt

 

Cuban Rebel Girls! Errol Flynn & Beverly Aadland …

20 Aug

Mislabelled as CUBAN STORY: This is the full movie …

[embedyt] www.youtube.com…

— David DeWitt

 
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Sean Flynn in FIVE ASHORE IN SINGAPORE

18 Aug

In the Mail Bag we receive this nice inquiry from French film director Raphael Millet. Unfortunately, I do not have any hi res scans or photos of this poster and am wondering if any of you can help him out?  He writes:

Bonjour,

I found your contact on the Errol Flynn blog.

I am a French film director, producer and critic.

I love Errol Flynn’s movies.

I also have a passion for Sean Flynn, and great interest in the later part of his life (from 1965 onwards).

I am currently writing a long article about the movie FIVE ASHORE IN SINGAPORE for a magazine published in Singapore.

I have many images of it, including French lobby cards, posters in various languages. But I have no poster of the film in English, and I think this would be most relevant for a publication in English.

I noticed that you have a very nice poster in your collection (see image here attached).

Would it be possible to ask you for a very good high res copy or photo of it, if you have any, in order to have it reproduced in the magazine, together with my article?

It would be a nice way to celebrate Sean Flynn and to pay tribute to his Singaporean adventure.

In exchange, I’d be very happy to have a copy of the magazine being mailed to you, upon publication (around October).

Looking forward to your kind reply.

Raphael Millet

— David DeWitt

 

The Big Boodle! In Hell Hot Havana!

14 Aug

[embedyt] www.youtube.com…

1957 Crime drama noir style film starring Errol Flynn, Pedro Armendáriz, Rossana Rory, and Gia Scala, set and filmed on location in Cuba. Once Errol’s grittier performances, at times a bit disjointed, in his reactions, is nonetheless fascinating for its locale. Flynn spent a lot of time in Cuba and some of it is controversial. Here are a few shots towards the ending of the film filmed on the famous El Morro Castle. And a shot of this location as it today, in 2018.

The shots above were made at this location and below we see the same location as it looks today in 2018.

— David DeWitt