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Not Errol’s Nottingham

21 Nov

EMPIRE

To be fair, when you’re dealing with something as culturally ingrained and cliché-ridden as Robin Hood you might as well go for something fresh, and go for broke. But for all its stylistic ambition, and its efforts to reference modern concerns (the Sheriff of Nottingham’s anti-Islamic invective), Robin Hood misfires thanks to a crucial absence of internal logic. This world just doesn’t work.”

NEW YORK TIMES

“The plot is twisty in a perfunctory way, the action predictably explosive, the sought-after exhilaration nonexistent.”

THE GUARDIAN

“This bloated, featureless, CGI-heavy movie is not so much stealing from the rich and giving to the poor, as stealing from Guy Ritchie, Batman, Two-Face and a few others – and not giving back all that much to the audience.”

LITTLE WHITE LIES

It’s a love story devoid of romance, an action flick severely lacking in spark and spectacle, a historical epic filled with flagrant inaccuracies and wrongheaded revisionism. There is nothing particularly fresh or inventive about the film, and, setting aside the wildly incongruous accents, jarringly modern, machine-stitched costumes and ugly CG render of a vaguely medieval setting, it is a simple fact that no one has ever looked cool shooting a bow and arrow while pirouetting backwards off a ledge.”

THE HOLLYWOOD REPORTER

“The action here is too phony and mechanically cranked up to believe that anything is on the line. Mendelsohn’s villain is boringly one-note, Eve Hewson’s Marion uses an incongruous Yank accent and always looks as though she’s just stepped out of the makeup trailer, F. Murray Abraham swans around in fancy cardinal’s vestments looking sinister and Foxx seems pissed off that he’s not somewhere, perhaps anywhere, else. As for Egerton, he’s a boy doing a man’s job.”

Ouch.

However, it’s not all terrible news as there are some positive reviews out there, such as in Variety who state it “shouldn’t work, but it’s more honest fun than the Kevin Costner or Russell Crowe versions”.

So there’s that, at least.

All reviews above are quoted in the Digital Spy link below:

www.digitalspy.com…

— Tim

 

Collect Call for Sherlock

21 Nov

“The only perfect screen version of me was the great Errol Flynn.”

“I’faith, there was a man who knew how to swashbuckle.”

— Robin Hood

i.pinimg.com…

www.dailypress.com…

— Tim

 

8477 Sunset Boulevard — The Clover Club

17 Nov

The Amazing Clover Club

jhgraham-com.cdn.ampproject.org…

EVENING HERALD EXPRESS

by Jimmy Starr

Ahem! Bob Taylor was out-a-dancing with Ginger Rogers at the Clover Club!

And for one just separated from his wife, Errol Flynn seemed to be having wera JULLY times at the same spot…

— Tim

 

“A Clash of Temperament”

16 Nov

November 16, 1936

EVENING HERALD EXPRESS

Lili Damita, Errol Flynn Separated, Friends Report

Errol Flynn, star of Captain Blood and Charge of the Light Brigade , and his wife, glamorous Lili Damita of the files, have separated, friends said today.

Flynn is an outdoor man, while Lili likes to dance and attend the numerous affairs of the smart film set, said intimates of the couple, who explained that it was a clash of temperament and that no other persons were involved.

Flynn plans to leave for Europe in about a week and indications are that Miss Damita will then seek a divorce.

— Tim

 

Northern Pursuit

16 Nov

SEVENTY-FIVE YEARS AGO THIS WEEK

From Under the Sea, to the Top of the World

— Tim

 

The Hurricane

15 Nov

While it’s still hurricane season here in the U.S. …

LOS ANGELES EXAMINER – NOVEMBER 16, 1936

by LOUELLA O. PARSONS

Bargaining, I hear from a reliable authority, is going on between the Warner Brothers Studio and Samuel Goldwyn. Sam wants Errol Flynn for the lead in Hurricane and offers in exchange William Wyler, the director, and any other bit of property loose on the Goldwyn lot. First time I ever heard of a star being swapped for a director or vice versa. But Wyler is an ace director and is as valuable in his way as Flynn.

Not only has Sam set his heart on Flynn, but John Ford, who will direct for Goldwyn, also has the same idea. And talking about goofy trades, Ford agreed to direct Hurricane on condition that Sam buy him a boat and equipment to film exteriors in the South Seas where he is now vacationing. Margo, who is superb in Winterset, will probably get the lead opposite Flynn, with Basil Rathbone set for an important role.

COULD THIS HAVE BEEN A GREAT ONE OF FLYNN? I believe so. With Wyler directing and the film earning three Academy Awards, but ultimately hampered by the casting of Jon Hall. Errol, IMO, could have lifted this to a Hollywood classic.


Plus, there could have been some very good amour between Flynn and Lamour!

“The Hurricane is a 1937 film set in the South Seas, directed by John Ford and produced by Samuel Goldwyn Productions, about a Polynesian who is unjustly imprisoned. The climax features a special effects hurricane. It stars Dorothy Lamour and Jon Hall, with Mary Astor, C. Aubrey Smith, Thomas Mitchell, Raymond Massey, John Carradine, and Jerome Cowan. James Norman Hall, Jon Hall’s uncle, co-wrote the novel of the same name on which The Hurricane is based.”

The film was nominated for three Academy Awards, winning in the category for Best Sound.
Best Sound Recording – Thomas T. Moulton
Best Supporting Actor (nomination) – Thomas Mitchell
Best Music, Score (nomination) – Alfred Newman

New York Times critic Frank S. Nugent praised the climactic special effect created by James Basevi, stating, “It is a hurricane to blast you from the orchestra pit to the first mezzanine. It is a hurricane to film your eyes with spin-drift, to beat at your ears with its thunder, to clutch at your heart and send your diaphragm vaulting over your floating rib into the region just south of your tonsils.”

He complimented the performances of all of the principal actors with the exception of Hall, whose Terangi was described as “a competent Tarzan”. He also faulted the uneven pacing, but in the end, characterized the film as “one of the most thrilling spectacles the screen has provided this year.”

youtu.be/CatmKnFtn-c…

— Tim

 

Welcome to Modesto, Errolivia

14 Nov

EIGHTY YEARS AGO THIS WEEK

November 15, 1938

EVENING HERALD EXPRESS

by Harrison Carroll

Fans up at Modesto drove Olivia de Havilland and Errol Flynn to take refuge in their rooms. The stars, in location for Dodge City, tried to eat in the hotel coffee shop, but admirers pushed in a plate glass window in on them. A jagged hunk of glass just missed Flynn’s nose and landed spear-like in his steak.

BTW, This incident likely occurred at one of the best hotels in downtown Modesto (Hotels Covell, Hughson, or Modesto), on one of the very streets (10th or 11th Street) where George Lucas later cruised cars as a teenager, as famously depicted in American Graffiti. … Though a relatively small, California Central Valley town, Modesto was nationally-renowned for it’s architecture.

— Tim

 

Film School for Spielberg — One Night Stand

14 Nov

35mm THE ADVENTURES OF ROBIN HOOD (1938 version) at the Vista, Los Feliz

DATE AND TIME
Sat, November 17, 2018

10:30 AM – 1:00 PM PST

Vista Theatre

4473 Sunset Drive
Los Angeles, CA 90027

www.eventbrite.com…

SATURDAY, NOVEMBER 17, 2018 10:30am: THE ADVENTURES OF ROBIN HOOD (1938, dir by Michael Curtis, 35mm, Warner Brothers, USA)

Yeah, that’s right: THE ADVENTURES OF ROBIN HOOD. No one has ever
come close to the swash-buckling joy and pure cinematic ecstasy of
Michael Curtiz’s 1938 masterpiece starring Errol Flynn, Olivia De Havilland, Claude Rains, and Basil Rathbone.

If you’ve never seen this version of the movie, you’ve never seen ROBIN HOOD. The movie quite possibly served as a single movie film school for much of the visual language of Steven Spielberg. Sword fights are played almost exclusively in shadow against walls. Action sequences are filled with bursts of expertly choreographed movement to and from the camera. But the whole movie holds together because of the glue of the great charismatic performances from all its leads.

Widely celebrated, director Michael Curtiz had a ridiculously talented grasp of cinematic language, blocking, action, style. If one wants to learn how to make a rip-roaring adventure movie, one studies Michael Curtiz. And this programmer suspects that Steven Spielberg spent a lot of time studying Curtiz before making such swashbucklers as JAWS and RAIDERS OF THE LOST ARK.

Join us for 102 minutes of pure adventurous joy as lovable rogue Robin Hood (Errol Flynn) romances the beautiful and clever Maid Marion (the luminous Olivia De Havilland), fights the corruption of the selfish Prince Guy (the ever reliable scoundrel, Claude Rains) and crosses swords with the nefarious and murderous Sir Guy (Flynn’s regular foil, Basil Rathbone).

Filled with classic sequences of irrepressible energy and verve, THE ADVENTURES OF ROBIN HOOD is one of the all-time great adventure movies.

— Tim

 

God Speed, Stan Lee

12 Nov

“When I was a kid, my favorite superhero was Errol Flynn, the actor. He played Robin Hood, he played Captain Blood… He was the best guy in the world with two guns, but he was always smiling and cheerful and rescuing women. I used to leave the theater with an imaginary sword looking for women to rescue. I can think of nothing more fun than spending your life rescuing women.”

-Rotten Tomatoes asked Stan Lee “Now, would you say that Errol Flynn’s movies may have influenced some of your work? ”
Stan Lee answered: “Absolutely. Errol Flynn was my god. I wanted to be Errol Flynn. I wanted to be Errol Flynn, and I used to — I mention this to people — I used to… I was about ten years old, I don’t know. I’d walk out of the theater after an Errol Flynn movie; I’d have a crooked little smile on my face, the way I thought he smiled, and an imaginary sword at my side, and I’d be hoping that I could find some bully picking on a little girl so I could come to her rescue, you know?”

-The 1965 Marvel Comics character Fandral, a companion of the Norse God Thor and a member of the Warriors Three, was based on the likeness of Flynn by co-creator Stan Lee. Actor Joshua Dallas, who played the character in Thor, based his portrayal on Flynn.

— Tim

 

Armistice Day 11/11

11 Nov

The horror of war is the reason of peace …

— Tim