Here is a nice poster from Huntington Hartford’s production of The Master of Thornfield, and below an audio recording made with Errol by Tony Thomas who interviews him in the basement of another theatre for the Huntington Hartford produced Jane Eyre… the usual recording length is 24.56 but the version I found years ago is some eight minutes longer.
Eighty-Five Years Ago Today (Sydney Time), on March 15, 1933, Errol Appeared Live AND On Film at the Prince Edward Theater in Sydney.
Errol was paid £2 to stand on stage in what he later described as a bad wig and bizarre naval uniform, appearing more like “an elderly keeper at a [Sydney brothel] than Fletcher Christian. The Ides of March ended bad for Caesar, but great for Flynn. It signaled the birth of Errol’s acting career.
A superb assembly of contemporaneous news articles by EFB Author “Isabel Australis”:
And here’s the cinematic Flynn himself, just as he appeared at the Prince Edward Theater, eighty-five years ago today, March 15, 1933 – On the Ides of Flynn:
Reminded recently by Jack Marino of his friend, Tony Thomas’s, preeminent contributions to the history of Flynn here is a recollection of his great work:
THE FILMS OF ERROL FLYNN
“This book is a complete record of Errol Flynn’s career from his first starring role in Captain Blood until his untimely death at fifty. All of his 58 films are here, with synopses, casts & credits, reviews of the more important vehicles, and hundreds of photos.”
ERROL FLYNN:THE SPY WHO NEVER WAS
Author of 30 books about movies and movie stars, Thomas here defends Flynn (1909-1959) against the charge made by Charles Higham in Errol Flynn: The Untold Story (1979) that the Hollywood swashbuckler, who played Captain Blood, Robin Hood, the Earl of Essex and Don Juan, was a Nazi spy. Thomas’s detailed examination of Higham’s evidence (including interviews with many original sources) convincingly shows that Higham quoted documents selectively, twisted witnesses’ words and made a flawed case based on guilt by association.
I think it would be great to collect and publish names of Zaca crew members since the days of the legendary schooner’s first launch in Sausalito nearly ninety years ago.
It’s been reported that Templeton Crocker’s Zaca had up to eighteen crew members, including on his circumnavigation of the world, and his legendary scientific expeditions. This included his personal valet, a doctor, and a photographer. From photos, it appears the Navy appears to have had that amount or even more crew.
The number of crew on Zaca when Errol sailed her appears to have varied.
Nail polish millionaire, Freddie Tinsley, certainly must have had some crew at times, mostly only a skeletal crew for dockside entertainment. It’s unclear, however, how often he actually sailed The Zaca.
I am not certain if Joseph Rosenberg, Bernard Voisin or Phillip Coussins ever actually sailed Zaca.
Today’s Zaca – majestically restored and cared for by its current owner, Robert Memmo – has been said to day cruise out of Monaco with as few as four in its crew.
For the historical record, can anyone help name members of these various crews?
(Ahoy San Francisco Bay Area Marine Historians, Wallace Berry, WWII Navy Alumni Associations, Port Antonians, Bonny Cother, and Palma de Majorcans!!!)
1929 – 1942 – Templeton Crocker, San Francisco
1942 – 1945 – U.S. Navy – renamed “USS Zaca” “IX-73”, San Francisco
1945 – 1945 – War Shipping Administration
1945 – 1946 – Joseph Rosenberg, San Francisco
1946 – 1959 – Errol Flynn, San Francisco, Los Angeles, Jamaica, Mediterranean
1959 – 1965 – Freddie Tinsley, Palma de Mallorca to Villefranche Su Mer
1965 – 1990 – Bernard Voisin, Villefranche Su Mer
1990 – 1990 – Phillip Coussins, Villafranche Su Mer
1990 – 2017 – Robert Memmo, Monaco
LE “ZACA” DANS LE PORT DE FONTVIEILLE, MONACO.
Some of the crews can be seen in the videos below:
All Flynn followers are familiar with the brief appearance of Errol and Lily in Pirate Party on Catalina Island, but there was always a little confusion about when this quiet little short subject appeared. To help quell any more questions, here is a clip from the Los Angeles Times newspaper of Feb. 12, 1936, page 11.
It premiered with the Charlie Chaplin film Modern Times.