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Archive for the ‘Film Clips’ Category

Errol & Livvie at the Library

25 Feb

“One Eyed Willie’s ship, The Inferno, was 105 feet long and took 2-1/2 months to construct. It was modeled after Errol Flynn’s ship in The Sea Hawk (1940).”

www.loc.gov…

— Tim

 

In Like Indiana Flynn?

10 Oct

www.theguardian.com…

“GOOD OLD-FASHIONED ENTERTAINMENT”

“A FUN FILM, CONSTRUCTED IN A SMART WAY”

“A DELIGHTFUL (FOUR-STAR) RAPID-FIRE ROMP”

youtu.be/fdENaF78vRU…

— Tim

 

Flynnosophy 101

05 Jun

Flynnie reveals his real-life philosophy of life to “Sister” Bette.

— Tim

 

This Sunday Morning

17 Sep

Posted Sunday, September 16, 2017

A fascinating behind-the-scenes bio of Warner Brothers’ songwriter, Moe Jerome.

From Tin Pan Alley to Tinseltown, from “A Daughter’s Prayer at Twilight” to “Some Sunday Morning”.

www.thedailybeast.com…

“At Warner Bros. from 1929 to 1949, he wrote, not for the masses, but for a film’s producer who wanted a song for a comedy or a western, or a drama or a musical. Take, for example the 1945 film San Antonio, starring Errol Flynn and Alexis Smith. He and his lyricist partner, Ted Koehler, quickly created a lovely ballad called “Some Sunday Morning.”

“The film was an instant hit. So was “Some Sunday Morning.” It was Flynn and Smith’s romantic theme song. Every time the two appeared on screen, the melody played in the background, courtesy of the film’s composer, Max Steiner. Smith sang it in a large production number set in the local saloon.”

“As early as January 5, 1946, the song made Billboard’s “Honor Roll of Hits,” a list denoting America’s top tunes. It charted at Number 9. Sales of sheet music were also excellent: for 14 weeks, the song was in the top five. And early in 1946, the song was nominated for an Oscar for Best Song.”

Some Sunday Morning”

What initially brought Jerome great fame and success, however, was “Just a Baby’s Prayer at Twilight”, a song he wrote during World War I – once contemporaneously called “the greatest constructed song ever published.”

“Moe had high hopes for a particular melody he wrote, a kind of lullaby he often hummed when he put his young son to sleep. But he wanted this song to be a statement about the cost of the war, what it did to those left behind.”

“Just a Baby’s Prayer at Twilight (For My Daddy Over There)”

— Tim

 

The Battle of New Orleans

07 Sep

John L. Sullivan v. Gentleman Jim Corbett
www.thesweetscience.com…
(See the last three paragraphs for the Flynn connection)

And listen to Liam Neeson’s introduction of (Errol) “one of the ultimate matinee idols” playing (Gentleman Jim) “one of the first matinee idols.” (at 1:09:54 through 1:12)

— Tim

 

Pirate Party on Catalina Isle! First Appearance!

30 Aug

All Flynn followers are familiar with the brief appearance of Errol and Lily in Pirate Party on Catalina Island, but there was always a little confusion about when this quiet little short subject appeared. To help quell any more questions, here is a clip from the Los Angeles Times newspaper of Feb. 12, 1936, page 11.

 

It premiered with the Charlie Chaplin film Modern Times.

Enjoy,

 

— Topper

 

Thank Our Plucky Stars

13 Jul
    folioweekly.com…

    Magnificent, Flynn! Magnificent!

    What other non-singing, non-dancing star but Errol could have pulled off anything as clever and fun as this? It’s no wonder he was so phenomenally popular.

    — Tim

     

King’s Bishop – Flynn’s Gambit

12 Jun

Here’s part of an original script for Captain Blood. How do you think Errol did in his interpretation of the script? (See 1:50 – 2:22 of the TCM video linked below.) I’d say bloody magnificent.

www.tcm.com…

— Tim

 

The Swordfights of Errol Flynn – A Video from Tina

11 Jun

Tina sent this awesome video. Thank you, Tina!

— Tim

 
 

Errol Saves England (Again) — Eighty Years Ago

15 May

An EFB Four Score News Report: The Anniversary of The Prince and the Pauper

Louella O. Parsons – Extract from the Los Angeles Illustrated Daily News – May 12, 1937

“Miles Herndon, dashing soldier of fortune, delivers the rightful prince.
Warners are indeed fortunate in having Errol Flynn in the family to play Herndon.
Where I ask you, is there a more suitable actor for a role that calls for
a handsome devil-may-care adventurer? Errol may have had bigger roles, but
never one that suited him better.”

Elizabeth Yeaman – Extract from the Hollywood Citizen News – May 13, 1937

With the coronation in England dominating the headlines for days, nothing
could have been more timely than Warners’ film version of The Prince and
the Pauper, which is climaxed by an elaborate coronation sequence.

Harrison Carrol – Extract from the Los Angeles Evening Herald Express – May 13, 1937

If Mark Twain had been alive today and had written The Prince and the Pauper
under Hollywood assignment, he could not have turned out a more perfect screen
story for this coronation year and for two extraordinary child actors, Billy
and Bobby Mauch.

In its spectacular and veracious coronation scenes this is as timely a picture
as could be asked.

It is Errol Flynn, playing a good natured soldier of fortune, who takes the young prince under his wing – not the least believing his story – and finally clears the way for a nick-of-time restoration of the royal youth, just as the unwilling beggar boy is about to be crowned king of England. In the role, Flynn is a dashing figure.

Warners have made the coronation ceremony one of the year’s spectacular screen episodes.

The Prince and the Pauper is an excitingly narrated, handsomely prodeuced, finely acted picture – an artistic achievement for producer Hal B. Wallis and all concerned – and a box-office natural.

Heading the supporting bill is a color short, A Day at Santa Anita.

Flynn saves England!

Just in time for the Coronation!

— Tim