“One Eyed Willie’s ship, The Inferno, was 105 feet long and took 2-1/2 months to construct. It was modeled after Errol Flynn’s ship in The Sea Hawk (1940).”
— Tim
“One Eyed Willie’s ship, The Inferno, was 105 feet long and took 2-1/2 months to construct. It was modeled after Errol Flynn’s ship in The Sea Hawk (1940).”
— Tim
Magnificent, Flynn! Magnificent!
What other non-singing, non-dancing star but Errol could have pulled off anything as clever and fun as this? It’s no wonder he was so phenomenally popular.
— Tim
Here’s part of an original script for Captain Blood. How do you think Errol did in his interpretation of the script? (See 1:50 – 2:22 of the TCM video linked below.) I’d say bloody magnificent.
— Tim
Tina sent this awesome video. Thank you, Tina!
— Tim
An EFB Four Score News Report: The Anniversary of The Prince and the Pauper
Louella O. Parsons – Extract from the Los Angeles Illustrated Daily News – May 12, 1937
“Miles Herndon, dashing soldier of fortune, delivers the rightful prince.
Warners are indeed fortunate in having Errol Flynn in the family to play Herndon.
Where I ask you, is there a more suitable actor for a role that calls for
a handsome devil-may-care adventurer? Errol may have had bigger roles, but
never one that suited him better.”
Elizabeth Yeaman – Extract from the Hollywood Citizen News – May 13, 1937
With the coronation in England dominating the headlines for days, nothing
could have been more timely than Warners’ film version of The Prince and
the Pauper, which is climaxed by an elaborate coronation sequence.
Harrison Carrol – Extract from the Los Angeles Evening Herald Express – May 13, 1937
If Mark Twain had been alive today and had written The Prince and the Pauper
under Hollywood assignment, he could not have turned out a more perfect screen
story for this coronation year and for two extraordinary child actors, Billy
and Bobby Mauch.
In its spectacular and veracious coronation scenes this is as timely a picture
as could be asked.
It is Errol Flynn, playing a good natured soldier of fortune, who takes the young prince under his wing – not the least believing his story – and finally clears the way for a nick-of-time restoration of the royal youth, just as the unwilling beggar boy is about to be crowned king of England. In the role, Flynn is a dashing figure.
Warners have made the coronation ceremony one of the year’s spectacular screen episodes.
The Prince and the Pauper is an excitingly narrated, handsomely prodeuced, finely acted picture – an artistic achievement for producer Hal B. Wallis and all concerned – and a box-office natural.
Heading the supporting bill is a color short, A Day at Santa Anita.
Flynn saves England!
Just in time for the Coronation!
— Tim