In the immortal words of very recently deceased Arte Johnson (inspired by Errol’s “Desperate Journey”)……. “Verrry Intrrresting”
— Tim
Being that this is the day after D-Day, with the Allies beginning to bring freedom to France once again, this post will be in the lingua franca of Normandy.
www-leblogducinema-com.cdn.ampproject.org…
Jusqu’à l’excellent La Patrouille de l’Aube (1938) de Edmund Goulding, où les escadrilles de gentlemen, menées par Errol Flynn et David Niven, conduisent une guerre dans les airs, et partagent des verres sur terre. Quatre ailes en toile, deux mitrailleuses bon marché, une carcasse métallique, un moteur en guise d’âme, il n’en fallait pas plus à ces aviateurs pour s’élancer vers une mort inévitable. Portraits de ces fous extraordinaires, ces premières œuvres semblent déjà mettre le doigt sur un certain amour du risque, où disparaître dans les nuages s’apparente à inscrire le courage de ces pilotes dans de nouveaux mythes.
— Tim
June 4, 1938
Jimmy Starr
Evening Herald Express
Although not rated as singing stars, Errol Flynn, Cary Grant, Gary Cooper, Warren Baxter, Frank Morgan, will, if the occasion demands, tear off a cinematic tune or two.
— Tim
May 26, 1938
Louella Parsons
Los Angeles Examiner
Errol Flynn is lost again between Havana and Hollywood.
May 28, 1938
Erskine Johnson
Los Angeles Examiner
Fox turned down Warners’ offer of $150,000 for film rights to Douglas Fairbanks’ old picture,
The Mark of Zorro. They wanted it for Errol Flynn.
— Tim
A Cutting Edge Quiz
Who wrote on the image below that he “lost his finger”?
— Tim
May 23, 1938
Sidney Skolsky
Hollywood Citizen News
The Warners, because of the success Robin Hood, are trying to buy The Thief of Bagdad, another Douglas Fairbanks hit, for Errol Flynn.
— Tim
May 21, 1948
Sidney Skolsky
Hollywood Citizen News
Ronald Reagan: He is an actor who is interested in the welfare of actors and in their position in the industry. He has advanced from a supporting player to a leading man. He is always to know what pictures are being made at his studio, and when hears of any he likes, he makes a bid for it. He is very pleased that he is no longer told they wanted Errol Flynn for a certain picture, but that they are going to give it to him.
— Tim