“His life was one of highs and lows, and he burned himself out much too soon. In thinking of him, let us remember, above all, that to millions of people the world over he brought exhilarating and joyous entertainment, and lifted their imagination and their spirits out of the doldrums and tensions of day-to-day living with a glorious vision of adventure, chivalry, and romance.”
–Greer Garson.
”He was one of the wild characters of the world, but he had a strange, quiet side. He camouflaged himself completely. In all the years I knew him, I never really knew what lay underneath and I doubt if many people did.”
–Ann Sheridan on Errol Flynn.
Here’s a notable early prototype, one of The Baron’s Bundy Drive Buddies. Other A-Listers in the Flynn Crowd, including Dietrich and Bogie have been done, too.
And Marilyn, but “not yet ready for her close up”.
This is an interesting and touching photo that shows Olivia and Errol’s friendship was strong beyond working on the same films. Here Olivia is filming ”THE STRAWBERRY BLONDE”, while Errol visits her from his filming ”FOOTSTEPS IN THE DARK.” (1941).
The following is part of a personal email exchange between myself, Gentleman Tim, and Karl Holmberg that yielded a treasure that Karl kindly allowed me to share with the blog. Here is part of the email and a link to download an amazing piece of writing done by Karl Holmberg several years ago.
Karl Holmberg:
I remember reading that it was announced in the press that Flynn was being considered for the role of Johnny Nolan and the player (James Dunn) went on to receive a Best Supporting Oscar in A Tree Grows In Brooklyn (1945).
It would have been the 2nd (The Sisters being the first) time in his then career that he would play a drunk. Directed by Elia Kazan, 20th Century Fox, release date February 1945 could have overlapped working on Uncertain Glory (August- October 1943; rd: April 1944) or Objective Burma (Filming May- August 1944; rd: February 1945) … though it seems Flynn usually (?) worked on 1 at a time. “Tree Grows” would have been his 1st outside studio production and also would have possibly have had a Thomson Productions credit?
I remember some studio (?) having some fun with the title where a dog/dogs see the title and start running (from NYC?) to Brooklyn.
I attach another antique (August 2004) effort that mentions the Thomson Productions deal … fleshing it out a little better.
This was written in the style of what might have been a script for a commentary while the movie was playing, only I DIDN’T KNOW IT… and had no awareness that it could even be done. My intent was to highlight a relatively little played film (just as Don’t Bet On Blondes) and give people some idea about it. I even remember not knowing what SPOILER ALERT meant back then… hence, no warning.