RSS
 

Archive for the ‘Flynn and…’ Category

Thanks for the Memory — — A Poetastic Quiz

16 Apr

Who was the following for, whose films we adore, but is with us no more?

(Even more fun if the verses are sung, to the music below, a tune you all know)

Thanks for the memory.
For that dolly shot,
The tears that menthol brought,
We went to see the rushes,
… and the rushes weren’t so hot.
But thank you so much.

Thanks for the memory,
Why is Gale so slow?
Why does Lola blow?
Why aren’t Rose and Pat on time?
… and Felix gotta go?
But thank you so much.

You said hell with the mixer.
Then Flynn said hell with the picture.
But you’re a Hungarian Fixer.
We’ve had so much fun – you five bell bum!
Thanks for the memory.

We really think you’re tops.
You never turn out flops.
… and Limey says your only fault
is that you eat the props.
So thank you very much.

Cheerio, Toodle-oo

— Tim

 

Happy 80th ~ Dodge City

10 Apr

“A Technicolor Triumph”

“The Most Spectacular World Premier Ever Given a Motion Picture”

— Tim

 

No. 1 for Apple Records

31 Mar

What was the first record pressed by Apple Records ?

It wasn’t “Those were the Days”

Na, it wasn’t “Hey Jude”

It wasn’t performed by The Beatles, but, rather, by a very famous singer who knew Flynn.

For many years few ever heard the recording, but a beautiful Flynn Mother Should’ve Known:

— Tim

 

Speaking of Errol Flynn …

29 Mar

From King Karl Holmberg, comes a rare image of a young Mrs. Olsen percolating over Errol Flynn. Thank you, Karl!

Mrs. Olsen saves another marriage.

youtu.be/9MUg1mYe7HY…

— Tim

 

The Stopwatch has Stopped for Richard Erdman

17 Mar

Fare thee well, Richard. You were a great Flynnmate.

www.hollywoodreporter.com…

cdn.shoppingcartthumbnails.com…

From another interview:

Erdman would go on to work with the best, including Errol Flynn in “Objective, Burma!”

“We drove out to the Warner Ranch in Calabasas for location shooting in the same car every day and he couldn’t have been nicer to me. In some scenes we were waist deep in mud simulating a swamp. It was a very hot summer and tiring, but Errol was great throughout. There were no actresses in the film, but women would just turn up on the set and follow him around. He literally had to fight them off. He was a man’s man, but also had a sensitive side to him. He was just a charming guy.”

— Tim

 

From Istanbul with love

17 Mar

Dear fellow Flynn fans,

today marks the 100th birthday of Nathaniel Adams Coles commonerly known as Nat King Cole. Born in Montgomery Alabama the son of a butcher turned  Baptist pastor had a professional band  at age 16. Having moved to the South Side of Chicago he engaged in a prolific musical battle with his piano idol Earl “Fatha” Hines. “Sweet Lorraine” was his first hit with many more to come like “Mona Lisa” and “Straighten up and fly right”, once he was signed by Capitol Records, then a young label.

The King of Jazz was nominated four times for a Grammy and finally received his first in 1959, playing at the Sands Casino of Las Vegas for many years. The broad smilin’ entertainer with the honey covered vocal cords found himself opposed to very similar obstacles in later life like our man Flynn, who he met in Istanbul on the backlot of Universal Studios. In order to pay back back taxes caused by incompetent management he was forced to constantly touring and n’erending TV appearances. That a a whole lotta chain smoking lead to his untimely death at 45.

27 years after he posthumely would receive seven more Grammys for the duet across time and space with his daughter Natalie.

Much obliged for any post of all you knowledgeable Flynnions here if King Nat commented on his working with Errol.

Unforgettable,

— shangheinz

 

Gone without the Flynn

16 Mar

Der fellow Flynn fans,

I share with you a rare document, which shows the Hollywood studio executives ways of thinking when it comes to casting and cashing in on a movie in the making. It further shines a light on why Flynn wasn’t in in GONE WITH THE WIND. While the frantic search for the leading lady is common knowledge, it was new to me, that Gary Cooper was also considered for the lead role. Either way the film would have turned out ok. Let’s post your favourite photo of an iconic scene of GWTW and let our imaginary eye insert Errol into the picture. But keep in mind that Gable brought a lot to the table…

Enjoy,

— shangheinz

 

Writer, Explorer, Bicyclist

05 Mar

FLYNN QUIZ:

What famous writer and explorer bought a plantation from Errol?

CLUE:

In addition to writing and exploring, did a lot of bicycling, too!

— Tim

 

Errol Flynn In Town Tonight

02 Mar

New article on when Errol appeared on In Town Tonight BBC show humorously trying to convince host John Ellison to get his cheque book out to help fund the completion of The Adventures of William Tell.

www.bbc.co.uk/archive/hollywood/10219.shtml…

“In this light-hearted interview, swashbuckling Hollywood star Errol Flynn talks with John Ellison about the filming of his current movie, which recounts the story of folk hero William Tell, and explains that he is in London to see whether anyone can lend him the £50,000 he needs to complete it.”

youtu.be/XijsO9NkAto…

As Flynnmates know:”Errol was unable to raise the money he needed for his William Tell project and the film was never finished.”

For more on Errol’s William Tell,see shangheinz’ superb posts.he’s the no tell errol tell authority.

The William Tell trail- Errol Flynn`s swashbuckling swansong

— Tim

 

SEE ERROL FLYNN’S GHOST — IN MIAMI!

28 Feb

MIAMI FILM FESTIVAL 2019

2019.miamifilmfestival.com…

ERROL FLYNN’S GHOST: HOLLYWOOD IN HAVANA

FLORIDA PREMIERE

SHOWTIMES:

@ The MDC Tower Theater: Wednesday March 6th @ 6:30 PM towertheatermiami.com…

@ The Silverspot Cinema: Sunday March 10th @ 1:00 PM downtownmiami.silverspot.net…

DIRECTED BY Gaspar González

Country: USA
Language: English, Spanish
Subtitles: English
Running Time: 50min
Film Year: 2018
Category: Documentary Achievement Award

Cuba’s pre-revolution obsession with Hollywood cinema in the first half of the 20th century led Havana to create some of the most majestic movie palaces of their time in the Americas, where millions of Cubans spent their evenings gazing at the silver screen stars of yesteryear. One of those stars, Errol Flynn, Hollywood’s most famous swashbuckler, traveled to Cuba in late 1958 to overcome his stage a Hollywood comeback, but instead found himself in the middle of a real-life adventure more improbable than the plot of any film he ever made: recklessly endorsing the rhetoric of Fidel Castro and the soon-to-come revolution. Flynn self-produced a disastrous B-movie, Cuban Rebel Girls, and died soon afterwards.

Miami filmmaker Gaspar González finds in Flynn’s demise a fitting parallel to the end of Hollywood glamor in the Havana movie palaces. Although many of the great Havana movie houses are still standing, they are haunted by their long-gone heydays. With a detailed and careful eye, González reflects on the remnants of a film culture that so deeply affected and defined a nation’s collective memory.

SHOWTIMES:

CREDITS

Director: Gaspar González
Producer: Gaspar González
Screenwriter: Gaspar González
Executive Producer: Gaspar González
Production Company: Hammer and Nail Productions
Music: Mickey de Grand IV
Cinematographer: Richard Patterson
Editor: Jorge Rubiera
Cast: Scott Eyman, Megan Feeney, Christina Lane, Nat Chediak

— Tim