What’s the two biggest things these two fellows had in common? Aside from:
· They both had Irish blood.
· They were both friendly with FDR & Eleanor.
· They were both on the cover of Time Magazine.
— Tim
Dear Errol Flynn,
You are a hard man to get!
Love, Marilyn Monroe
from CHRISTIES:
MONROE, Marilyn (1926-1962) Autograph letter signed (”Marilyn Monroe”) to Errol Flynn (1909-1959), [Los Angeles, c. 1950]. 3 pages, on a folded 12mo calling card engraved on front: ”Mrs. Edward Francis Hutton,”
A rare and unusual autograph letter from the young star, written to one of her matinee idols, Errol Flynn, thanking him for a gift of flowers. The note, which appears to have been left at Flynn’s Mullholland Farm doorstep, reads, in full: “Dear Errol Flynn. You are a hard man to get! I have called you several times to thank you for the lovely flowers, and nice note, but have not been lucky enough to reach you – They were lovely, and it was so nice of you to have thought of sending them – Thank you – See you soon, have fun! love Marilyn Monroe”
Flynn was one of Monroe’s screen idols as a child–she saw Flynn’s 1937 film Prince and the Pauper at least three times. When she made it in Hollywood, she attended at least a few of Flynn’s infamous parties on Mullholland Farm. Heddy Lamar recalled that Flynn used to conduct “greyhound” races on the hillside lawns surrounding his estate, with six young men donning numbers on their backs, would chase a “rabbit,” which was actually a young girl, topless, wearing bunny ears. The winner would get the girl, while the girl received a sable stole. “In fact, Marilyn Monroe was the bunny once; though in all fairness to Marilyn, she got the sable but the winner got only a kiss and a photograph of himself with Marilyn…” (McNulty, Errol Flynn, 312)
— Tim
“We cherish that some of the most famous people in the U.S. and Mexican political and cultural history continue to choose Mazatlan and Olas Altas as their hideaway,” said Ruiz Coppel. “From past Mexican presidents and some of the most celebrated names in Hollywood such as Errol Flynn, Clark Gable, John Wayne and Robert Mitchum to modern-day movie stars, Mazatlan will always be a quick getaway that’s not too far from home but a world away from the everyday grind.”
1930s
Today
— Tim
Named and Catapulted to Fame by Flynn
Sherwood had its Merry Men, Jamaica has its Jolly Boys
Jamaica Music Museum pays tribute to the Jolly Boys
“The Jolly Boys are a mento group originally from Port Antonio, formed in 1945. First starting as part of a group that played at Errol Flynn’s parties, the band established itself as one of Jamaica’s enduring mento bands. Over seven decades they have won mento band competitions, toured across the island and around the world, and released ten albums. They also appeared in the 1989 film The Mighty Quinn, which featured Denzel Washington. With their 2010 cover of Amy Winehouse’s Rehab, the group facilitated a mento revival that has attracted music scholars and enthusiasts from around the world.”
“… Errol Flynn named this group “The Jolly Boys” after the vibe he caught from their playing. With Flynn’s imprimatur, the Jolly Boys music quickly defined mento and calypso entertainment in Port Antonio and set a high musical standard.”
” … Errol Flynn used to dock his yacht, Zaca, [at Port Antonio] back when the buccaneering Hollywood star was known as “Jamaica’s greatest tourist”. “Mr Errol Flynn, man. Yeah, baby!” twinkles [one of the Jolly Boys]. “He loved the local bars. He’d hang here and buy a bottle of white rum for the people.”
— Tim
“THE GREATEST SEA ADVENTURE OF ALL TIME GETS UNDERWAY!” (IN COLORADO)
“Off the Hook Arts celebrates film and music of the 1930’s and 40’s in their Fourth Annual WinterFest week! We’re featuring two great composers that fled Europe, settled in Hollywood and helped bring film to where it is today through their additions to film scores. Join us for the full Hollywood classic movie, The Sea Hawk, featuring Errol Flynn in his swashbuckling splendor and film score by Erich Wolfgang Korngold. But first, get a brief introduction about the significance of this film and composer from our host, modern day Hollywood film score composer and Assistant Professor of Digital Media Composition and Music Theory at UNC Ludek Drizhal.”
— Tim