Jack Warner for sure wasn`t born with a silver spoon in his mouth.
Matter of fact he had to toughen himself up as a street kid. These street smarts helped tremendously later on when he made Warner Bros. Studios a major force in film. Once at top of Tinseltown, he never looked back. His stick was that of a penny pinching, horny- corney jokes telling and lavishly living movie mogul.
He had a silver telephone in his office and a hand written register to go with it. Many flynntimos are on the pages shown.
Both items are on display at the American History Museum in Washington, D.C.
“Many stories have circulated about Errol’s visits to Belfast, the most repeated (and uncorroborated!) tales are about the excitement he caused at local dances, packed with adoring girls who’d heard that Flynn was to grace their Saturday-night bop!”
“Ian Rippey, Secretary of the Co Armagh Wildlife Society, reckons that Flynn definitely visited Belfast, and has information about a positive sighting. And Mr Rippey’s letter ended with an intriguing postscript: “Captain Thomas Blood…had Irish Presbyterian if not Ulster connections.” But first, Ian explained why he’s sure that Flynn came to Belfast.”
“A Miss Rene Liggett of Armagh informed me a good few years ago that she remembered seeing Errol Flynn at Queen’s University, Belfast, when she was a student. I assume that she studied biology under Errol Flynn’s father…I knew Miss Liggett from when I joined the Armagh Field Naturalists Society (now the Co Armagh Wildlife Society) in 1974 until her death. I don’t know whether “Miss Liggett saw Errol Flynn only once or on a number of occasions. All she said was that she had seen him…Miss Liggett died in a nursing home some years ago.”
McCormack is widely regarded Ireland’s greatest ever singer and was, in his day, the equivalent in classical terms, of Elvis or the Beatles. He made over 600 recordings across opera, Irish folk, religious music and songs from Russia, Germany, Italy and France.
He settled in America where his friends included the likes of Errol Flynn and John Barrymore. He built “San Patrizio”, in Runyon Park, where Errol later lived when it was known as “The Pines” (featured very prominently as Errol’s estate in the final scene of the movie “Breathless” with Richard Gere.)
McCormack’s left LA in 1938, intending to return to his beloved San Patrizio, but never made it back, due apparently to WWII and ensuing illness. A&P heir, and In with Flynn man, Huntington Hartford, subsequently purchased the property, with Errol famously residing there late in his own life.
“The Old House” may have been McCormack’s last recording. Perhaps it was partially inspired by and/or invoked memories of San Patrizio.
A Candidate for Most Subtle In Like Flynn Reference Ever?
JAMES GREGORY AS VICE-PRESIDENTIAL NOMINEE JOHNNY ISSELIN AND ANGELA LANSBURY AS HIS COMMUNIST AGENT “QUEEN OF DIAMONDS” WIFE AWAIT FOR THEIR SON (LAURENCE HARVEY) TO SHOOT THEIR PARTY’S PRESIDENTIAL NOMINEE. SINATRA DID IT HIS WAY AND SAVES THE DAY, MAKING AMERICA IN LIKE FLYNN AGAIN.
“Errol Flynn was an actor in the 1930s and 40s known for his swashbuckling film roles in movies like Captain Blood and Robin Hood. Cyclone Errol was known for its rains and wind in northern Western Australia and then in Indonesia’s West Timor.”
Neil Young sends us to his Review of In Like Flynn, the new film based loosely on Errol’s book Beam Ends, produced by Luke Flynn. Thanks, Neil!
“Thomas Cocquerel takes the title role in cult Australian director Russell Mulcahy’s early-years biopic of famed swashbuckler Errol Flynn.
Reveling in the exploits of a legendary Lothario who is a most unlikely subject for a celebratory biopic during the current #MeToo era, comeback-kid Russell Mulcahy’s In Like Flynn triumphs as a disgracefully entertaining romp that packs an unexpected emotional wallop.
Chronicling the adventurous late youth of golden-age Hollywood swashbuckler Errol Flynn, the handsomely mounted production is inevitably brimming with boozing, brawling and bedding. But while rising Aussie star Thomas Cocquerel is suitably dashing as his notorious countryman — whose name, 59 years after his premature demise, remains a byword for bawdy offscreen excess — the real breakout here is British actor Clive Standen, comprehensively stealing the show in a flashy supporting role.”