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An actor by any other name…

21 May

gbtimes.com…

gbtimes.com…

 

— Karl

 
 

Death on the Lot, New Podcast About Untimely Deaths of Trailblazing 1940s and 1950s Actors

19 May

Adam McKay’s Hyperobject Industries and Sony Music Entertainment Announce Death on the Lot, New Podcast About Untimely Deaths of Trailblazing 1940s and 1950s Actors

— Karl

 
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Posted in Main Page

 

Into Dodge

18 May

Dear Flynnstones,

above you see Errol and his buddy Air Bud Ernst leaving for the grand premiere of Dodge City.

The line up of this star studded extravaganza was impressive.

It even featured a special event what looks like a (shotgun?) wedding.


A pierced penny for who can spot the Duke in this picture.

Enjoy,

— shangheinz

 

Wanted: Errol Flynn

18 May

Dear Flynnstones,

our man Flynn was a catch for Jack Warner in many ways.

Enjoy,

 

— shangheinz

 

Meeting the Prez

17 May

Dear Flynnstones,

this rare pic shows Errol meeting Ronald Reagan, who before becoming a B-movie star, started out as a radio commentator. We all know where he ended up.

Both look like at a casting for “Casablanca“. Neither got the part, and so didn’t Hedy Lamarr. What a classic that could have been.

They probably are promoting one of their movies. RR was reminiscing quite often about the good times they had together on the Warner Bros lot. He proudly pointed out towards another Flynnmate, Paul McWilliams (from Objective Burma), that he was not in one, but in two movies with Errol. Paul and the Prez shared the same birthday and his gift card had contained a photo of their respective co-star.

Enjoy,

 

— shangheinz

 

His Name iz Curtiz. Michael Curtiz.

16 May

Dear Flynnstones,

the Filmarchiv Austria is showing a retrospective of director Michael Curtiz, née Kertesz, during the months of May and June.

Very appropriately it takes place in one of the oldest and most beautiful venues of movie theatres in Vienna- the METRO KINO.

What makes this event so special for every Flynnophile is, not only will the obvious choices of his best works like “The Adventures of Robin Hood“, “Dodge City“ and “Captain Blood“ be presented, but also the early silent flicks starring Lili Damita are shown on the big screen.

It will be my privilege to lip read to you impressions of little Tiger Lil’ in movies like “Fiaker No. 13“ (Horse Carriage No. 13) and “Das Spielzeug von Paris“ (The Toy of Paris). I expect them to fully convey the divaesque quality, which made Errol think: “That is the star I am going to marry..“

Also in program are “Sodom und Gomorrah“, the monumental movie that got Curt to Hollywood, “The Sea Wolf“, a film tailor made for Flynn, but realized with Edward G. Robinson instead and the inevitable classic “Casablanca“ with local boy Paul Henreid second to the right.

“Mildred Pierce“ (Joan Crawford), “King Creole“ (Elvis Presley), “Yankee Doodle Dandy“ (James Cagney), “Young Man with a Horn“ (Kirk Douglas) and “Angles with Dirty Faces“ (Humphrey Bogart) amongst others round up an intriguing selection of an outstanding oeuvre.

One could say, the Hungarian Hun has come home.

Welcome to Viennawood, my laddies,

 

 

 

 

— shangheinz

 

Lock, Stock and Errol

15 May

Dear Flynnstones,

“If the lock doesn’t click, you must acquit.“

Enjoy,

 

 

— shangheinz

 

In the Den of Cap‘n Don

12 May

Dear Flynnstones,

Errol attracted the most colorful characters. Don Dickerman, being one of them, came in Technicolor. He thought of himself, dressed and behaved like a pirate.

In addition he opened several nightclubs in various cities called “Pirate‘s Den“.

Flynn fronted Don the money for the outlet in LA along with several other celebrities.

The den had a pen to put damsels in distress. Once a beautiful piratess had been captured and put behind the makeshift bars, she had one way to escape- scream as loud as she could. That would set her free and even get her a screaming diploma.

The Den took a dive, when one of the true life buccaneer waiters overcharged a highschool kid. The club never recovered from billhauling and from then on had the reputation of a real cutthroat venue.

Don though would be rewarded for his constant cultural appropriation with a role of a…in “The Sea Hawk“

Enjoy,

 

 

— shangheinz

 

Olivia’s belongings go under the hammer

12 May

www.hollywoodreporter.com…
Hi all I am hopeless at this but if you go to address above you will get a good read. Genene

— tassie devil

 
 

Remembering Another Coronation… and a Film!

06 May

Not everyone (?) here may be old enough to remember 2 Brits of note: Edward VIII and King George VI, and how a film of Errol Flynn’s, literally, came BETWEEN them… if you don’t remember~ read on courtesy of Wicki:

“The Prince and the Pauper is a 1937 film adaptation of the 1881 novel of the same name by Mark Twain. It starred Errol Flynn, twins Billy and Bobby Mauch in the title roles, and Claude Rains and has been described as “a kids’ fantasy.”[2]

The film was originally intended to coincide with the planned coronation of Edward VIII in 1936. However, its release was delayed until the following year.[3] The film was released on May 8, 1937, four days before the coronation of King George VI and Queen Elizabeth.

According to Warner Bros records, the film earned $1,026,000 domestically and $665,000 foreign making it the studio’s most popular film of the year.[1]

Frank S. Nugent of The New York Times wrote, “Bobby and Billy justify their twinship completely, not merely by investing the Twain legend of mistaken royal identity with a pleasing degree of credibility, but by playing their roles with such straightforwardness and naturalness that the picture becomes one of the most likable entertainments of the year … The novel and the screen have been bridged so gracefully we cannot resist saying the Twain and the movies have met.”[9] Variety published a negative review, reporting: “The fragile plot scarcely holds together a full length screen play”, and suggesting that its running time could have been trimmed at the beginning so Flynn could enter the film earlier.[10] John Mosher of The New Yorker praised the film as “a fine spectacle”.[11] Harrison’s Reports called it “An excellent costume picture” with “outstanding” performances.[12]”

 

— Karl

 
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