From Eire for Errol
— Tim
No, not that Supreme Court Justice. The justice being sought from the Supreme Court in the just-filed ODH v. FX.
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P.S. I’m not sure all the justices will be able to keep up with our Lady O.
— Tim
EIGHTY YEARS AGO THIS WEEK – OCTOBER 1938
Los Angeles Examiner – Louella Parsons, October 4, 1938
Errol Flynn heard yesterday for the first time that he had pneumonia when he was so critically ill last week. So remarkable was his recovery that he is expected to go home today, and Lili Damita will sail Thursday on the Queen Mary. Errol’s doctors have ordered him to rest for two weeks, after which he is to report to Warner studio for Dodge City.
Don’t say “That’s where we came in,” for Hal Wallis really tried to borrow Ronald Coleman and Cary Grant for the remittance man who goes western. But when neither English accent was available, he went back to the original idea of putting Flynn in the role, postponing The Sea Hawk until early next year. Michael Curtiz, the director, who always favored Flynn, was rejoicing yesterday, for both Flynn and Olivia de Havilland were in Robin Hood Curtiz’ biggest hit.
Dodge City could-have-been cowboys, Coleman and Cary:
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Los Angeles Evening Herald Express – Harrison Carroll
October 5, 1938
Errol Flynn went from the hospital to Edmund Goulding’s house at Palm Springs. He wanted to take a trip to Mexico City, but doctors vetoed it.
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Los Angeles Evening Herald Express – Jimmy Starr
October 10, 1938
Lili Damita shushed those Paris divorce rumors by nixing her trip to Gay Paree with the Jack Warners and flying back to hubby Errol Flynn in Palm Springs.
Here they are in Palm Springs:
— Tim
When I first started with the syndicate, I drew only daily panels. After we sold to a few papers, they asked for a Sunday page. This was impossible to handle alone, so Jerry Bundsen and Ted Martine came into my life. Jerry, who works for The San Francisco Examiner with Herb Caen, the columnist, has been writing my daily gags for 11 years. Once a week, he sends me a large batch of gags from which I select what I want and like. If there aren’t enough to make up a week, I fill out with my own ideas—which drives Jerry mad! He claims if he sent me 60 gags I would be unable psychologically to select more than four out of the bunch. This isn’t so at all. After selecting the four best gags, I pencil in the whole week of dailies. These go to Ted Martine, the world’s best artist. (I should be working for him.) He inks in all the pencilled backgrounds. When they are returned I ink in the figures. I have pencilled them in rough enough so that I change as I go along. This keeps the action loose and fresh. In addition, I draw from models constantly, then use the sketches as reference. With the outlines of the furniture inked, for instance, I add details like prints and upholstery, flowers in bowls, fringe on curtains, etc. My husband claims I can’t stand a plain white space. But it’s this detail which gives a homey touch. As a matter of fact I draw all the furniture in our home. I often think I’d like to recover the worn upholstery in a Popsicle-colored background so the Popsicle stains will not show. As to the Sunday panels, these I dream up myself, and it is more work than everything else put together. I feel each idea is the last one I’ll ever be able to eke out. Also I meditate (or should I say brood?) on my own girlhood, which was a long time ago, believe me. But once the mind starts going back, it’s amazing how much it remembers.
The pilot for a proposed series based on Emmy Lou aired as a second-season episode of Mister Ed. The role of Emmy Lou was played by Noanna Dix. Her parents were played by George O’Hanlon and Jeff Donnell.
By the time her children became adults, Links felt the strip no longer represented teens, as she told columnist Caen, “Everything I know about teenagers today is unprintable.” Thus, she brought Emmy Lou to an end in December 1979.
— David DeWitt