Nothing new, but reads well and seems to be carefully written. Enjoy, if you haven't before (cuz it's ooold).
— Inga
Nothing new, but reads well and seems to be carefully written. Enjoy, if you haven't before (cuz it's ooold).
— Inga
— Elayna
Dear Errol Fans,
Why not Ridley Scott?
I see that he (Ridley) has a way of cutting through the 'bull' and telling the story as it is , or was. Whatever you think of him personally, you have to admit that he knows his stuff. Look no further than “Bladerunner”, one of the best films ever made.(in my humble opinion, that is) I do not have a problem with that as long as it is truthfull. I think we Errol fans tend to embrace the good and turn a blind-eye to the bad. That is par for the course for folks who are blinded by the “boilerplate” that was penned by journalists who were paid to ignore the bad and play up the 'good'. I believe a true story of Erroll's life with all the warts and human weakness he had would be a blockbuster. I think it would be “R” rated. Errol is a combination of good, evil, saintly, and maybe a little wicked . This is a story of us all, whether we admit it or not.
I admire Errol because he was his own man, and never apologized to anyone. This sort of man is hard to find these days.
JOHN
— john
Dear Errol Fans,
As Arnold might say; “I'm back.” I have been busy doing research for a project, but now that it is done, I'm keen to get back to the Blog.
I have a question for the readers: I recently saw a trailer for the new 'Robin Hood' and it got me thinking. I would love to see a movie about Errol done by Ridley Scott. Something not at all romantic, but gritty, hard-hitting and all too realistic. Ridley has directed 'Alien', 'Bladerunner', 'Gladiator', 'Blackhawk Down', 'Kingdom of Heaven', American Gangster' and other wildly successful movies that have a certain “Theme” to them. Errol's story has enough highs and lows for ten Greek comedy's and tragedy's. The gritty reality of Errol's life is the stuff of legends. I believe people are much more sophisticated these days and will not tolerate a “cardboard hero” defeating “cardboard bad guys” as in the past. I believe this is a golden opportunity for a visionary film-maker to tell a no-nonsense story, and there is no lack of real adventure, action or romance in the true story.
Errol was a man after all, not just a figure on a screen. His life was filled with all the 'day to day drama's' we all experience. He was neither devil nor saint, but something in between.(Like us all, I think) I think he has a story to tell that up to now, has not been told. We have mostly been told only the 'high points' and the “spin”.For an example, think of the new 'James Bond' movies with it's much more believable and human lead actor. Something like that. I believe it would be a blockbuster if done correctly. Now mind you, some fans would be horrified and upset, and some even turned off by the film, but I think it might start a new generation of Errol fans who would find out what we all know: Errol Flynn was quite possibly the most intriguing person to come along in a hundred or more years, maybe ever.
I'm sure you all have strong opinions and that is good. So tell me what you think.
John
— john
In the 2005 Turner documentary, The Adventures of Errol Flynn, Olivia de Havilland recorded a series of reminiscences about Flynn, including the recounting of an episode that took place soon after they first met: “He sat down, and he said to me, 'What do you want out of life? And so I said, 'Well, I want respect for difficult work well done.' And then I said to him, 'What do you want out of life?' And he said, 'I want success.' And by that he meant fame and riches. And I thought, 'That’s not enough.'”<?xml:namespace prefix = o ns = “urn:schemas-microsoft-com:office:office” />
In Olivia’s mind, Errol wanted one thing, and she wanted another. By implication his desires were material and hers were artistic; his were wrong, and hers were right. His were “not enough.” What she doesn’t account for is that Errol Flynn had by 1935 at age 26 already graduated from the school of hard knocks, getting by on equal parts charm, looks, and guile. Despite her harsh upbringing in stepfather G.M. Fontaine’s home, she had not spent much time out in the world. As has been well documented, particularly in John Hammond Moore’s excellent The Young Errol, Flynn had kicked around Australia and New Guinea working at various jobs for years—dozens of jobs, in fact. His failure in these jobs might have had less to do with character deficiencies than always assumed by his biographers, and more to do with a condition that might today be diagnosed as ADHD. Sometimes, just maybe, this disability set him up to fail. Flynn was always getting fired, although on one occasion when he managed a copra plantation, it may have been a conspiracy by area farmers against the “new kid in town” that led to his failure. These experiences gave Flynn a hard, cynical veneer that prepared him for what was, in his mind, the inevitability of losing this gig as an actor just like he had lost all the others. Proof of this can be found in his early, constant griping to the press that he might just chuck it all and return to the South Seas. He figured he ought to quit the business before the business quit him.
Olivia, on the other hand, had survived a militaristic existence at home in Saratoga, California, as described by Olivia's sister Joan Fontaine in the memoir, No Bed of Roses. Olivia, the older sister, had been forced to become the poised, well-read, and well-spoken young lady who hit the screen at age 18. In response to her harsh home environment, she had by necessity become an intense loner and a person who sought the control as an adult that she had been denied as a child and adolescent. But she had not, and would not ever, wait tables like the typical struggling actor and have to cope with a variety of bosses with different work styles and temperaments. In other words, she didn’t know what she didn’t know, and when Flynn made his statement about wanting fame and fortune, it struck de Havilland as capricious when it was in fact the product of many ego blows that accompanied each pronouncement, “Flynn, you’re fired!”
I discovered a thousand and one things about Errol and Olivia that I didn’t know. Learn about all of them in Errol & Olivia: Ego & Obsession in Golden Era Hollywood, coming in October 2010 from GoodKnight Books.
— Robert Matzen
Hi fellow Bloggers,
have just seen youtube video of Errol Flynn and Stephen Boyd in a scene from Boyd's first film do go watch it page 9 on Errol Flynn section
— daringthorpe
A big thank you to all EF blog authors for the warm welcome I have recieved, it feels like I've stepped into a room full of familiar friends that feels like home. It is so gratifying to discuss all the different aspects of this man's life, and what a life!
How could anyone fail to be inspired by a life so full and so varied in such a short timespan,never a moment wasted and as he said himself “I enjoyed every minute of it”.
— daringthorpe
As far back as I can remember Errol Flynn has fascinated me, as a small child he was the
hero who had me rivetted to the screen.then one day I happened upon a book
called “My Wicked wicked ways” the first time I read it I was thirteen I've read it twice since and each time I take away something different from it .
In my humble opinion he was a man whose feelings about things ran a lot deeper than the world at large would suspect, and all his life he only ever wanted to impress and earn the respect of his father.
I think a lot of the time he was misunderstood which brings me to the question mark symbol he had on suits and a flag on his yacht, may have been saying “why me” Finally the magic that is Flynn stems I think from a persona that didn't take himself to seriously and blessed with a unique talent to make us believe that heroes really do exist
— daringthorpe
— Tina