Errol Flynn and Marlene Dietrich tooled around Hollywood in limited-production Auburn Speedsters, the most flamboyant of the boattail breed.
— Tim
Archive for the ‘New Articles’ Category
In Like Flynn in the U. S. A.
19
Jan
Kudos to King Karl for keeping us current on all the King of Swashbuckler news fit to print!
— Tim
Supreme Failure
08
Jan
The Supreme Court cowardly rewards the greed-driven deceit of Ryan Murphy, FX, and all in the film industry who selfishly perpetuate such conduct.
Bravo, Olivia, for standing up against and exposing these self-serving frauds.
In the words of Olivia’s superb attorney, Suzelle Smith.
“We and Miss de Havilland are very disappointed that the U.S. Supreme Court passed on this opportunity to confirm that the 1st Amendment does not protect the publication of intentional lies in any medium, including so called docudramas,”
“The California Court of Appeal has turned the 1st Amendment upside down, and without doubt more harm to individuals and public deception will result. One day someone else who is wronged for the sake of Hollywood profits will have the courage to stand on the shoulders of Miss De Havilland and fight for the right to defend their good name and legacy against intentional, unconsented exploitation and falsehoods. Miss De Havilland hopes she will live to see the day when such justice is done.”
— Tim
The Merry Adventures of Robin Hood!
24
Dec
Was The Adventures of Robin Hood a Christmas movie?
Read this and tune in Christmas on Sky to see!
“A film does not have to have to take place at Christmas to qualify as a Christmas film. It takes something more. And to this list I would add The Adventures Of Robin Hood (1938), starring Errol Flynn, the template for every ‘Robin’ that came after him.
This movie, for me, was like a big Christmas bauble itself. Shot in glorious colour, with lots of green and red, like a Christmas tree itself, it featured the forest, a place to be free. It had a jolly man at the centre who delivered the gifts of his own presence and joy.
It had a dreamer (Maid Marian) waiting for the promise of her life to be fulfilled. And that score. That glorious score, like the feeling of the carols in church, voices sweeping to the ceiling and through the nave, giving us one more moment of the promise of the year to come and a good feeling about the year gone by.”
——-
One can also watch on Little Christmas – in Cincinnati, with Flynn on the Big Screen:
— Tim
Dear Prudence
22
Dec
Dear Prudence,
A “more skillful swordsman” than Errol? I think not. Though you sure we’re one talented and rediantly-beautiful swashbucklerette, in both B&W and Technicolor.
“Against All Flags, 1952. This was one of the last Hollywood swashbucklers starring Errol Flynn. Maureen O’Hara proves his equal with her swordplay as Prudence “Spitfire” Stevens. In fact, O’Hara swore she was the more skillful swordsman, which might be true, as Flynn was slowing down. Usually he did his own stunts, but he declined the Douglas Fairbanks-style broad-sail-riding stunt here, having already broken an ankle and delaying production two months.
Fortunately for Universal Pictures, they had Russell Metty as cinematographer. He was the fastest Technicolor ace around, and he shot a second pirate movie, Yankee Buccaneer with Jeff Chandler, while Flynn recuperated. Co-star Anthony Quinn competes with Flynn in all sorts of skullduggery, supposedly on the island of Madagascar. The film’s secret weapon? Jokes that were purportedly inspired by Flynn’s randy sex life.”
— Tim
Who was the Love of Her Life?
13
Dec
“Who was the love of your life?” She answered immediately: “Errol Flynn!”
— Tim
GOlivia Go!
27
Nov
deadline-com.cdn.ampproject.org…
In a statement from her home in Paris, Dame Olivia said: “We must persevere and speak truth to power.”
“The fight is itself important to the principle of honesty, so much in need today in the face of deliberate public confusion for selfish agendas.”
The question presented for Supreme Court review is:
“Are reckless or knowing false statements about a living public figure, published in docudrama format, entitled to absolute First Amendment protection from claims based on the victim’s statutory and common law causes of action for defamation and right of publicity, so as to justify dismissal at the pleading stage?”
—
“Dame Olivia, who won Oscars for 1946’s To Each His Own and 1949’s The Heiress, previously won a landmark victory over Warner Bros in 1943 which effectively ended actors’ contract servitude.”
Olivia with her outstanding attorney, Suzelle M. Smith:
— Tim
Not Errol’s Nottingham
21
Nov
EMPIRE
To be fair, when you’re dealing with something as culturally ingrained and cliché-ridden as Robin Hood you might as well go for something fresh, and go for broke. But for all its stylistic ambition, and its efforts to reference modern concerns (the Sheriff of Nottingham’s anti-Islamic invective), Robin Hood misfires thanks to a crucial absence of internal logic. This world just doesn’t work.”
NEW YORK TIMES
“The plot is twisty in a perfunctory way, the action predictably explosive, the sought-after exhilaration nonexistent.”
THE GUARDIAN
“This bloated, featureless, CGI-heavy movie is not so much stealing from the rich and giving to the poor, as stealing from Guy Ritchie, Batman, Two-Face and a few others – and not giving back all that much to the audience.”
LITTLE WHITE LIES
It’s a love story devoid of romance, an action flick severely lacking in spark and spectacle, a historical epic filled with flagrant inaccuracies and wrongheaded revisionism. There is nothing particularly fresh or inventive about the film, and, setting aside the wildly incongruous accents, jarringly modern, machine-stitched costumes and ugly CG render of a vaguely medieval setting, it is a simple fact that no one has ever looked cool shooting a bow and arrow while pirouetting backwards off a ledge.”
THE HOLLYWOOD REPORTER
“The action here is too phony and mechanically cranked up to believe that anything is on the line. Mendelsohn’s villain is boringly one-note, Eve Hewson’s Marion uses an incongruous Yank accent and always looks as though she’s just stepped out of the makeup trailer, F. Murray Abraham swans around in fancy cardinal’s vestments looking sinister and Foxx seems pissed off that he’s not somewhere, perhaps anywhere, else. As for Egerton, he’s a boy doing a man’s job.”
Ouch.
However, it’s not all terrible news as there are some positive reviews out there, such as in Variety who state it “shouldn’t work, but it’s more honest fun than the Kevin Costner or Russell Crowe versions”.
So there’s that, at least.
All reviews above are quoted in the Digital Spy link below:
— Tim
Collect Call for Sherlock
21
Nov
“The only perfect screen version of me was the great Errol Flynn.”
“I’faith, there was a man who knew how to swashbuckle.”
— Robin Hood
— Tim
