August 28, 1959 at the Airport
— Tim
Archive for the ‘Newspaper & Headlines’ Category
(Out of Africa) A Star is Born
26
Aug
August 25, 1935
Los Angeles Times
By Muriel Babcock
Adventure again is holding the stage. The cutthroats and brigands and brave seamen of Raphael Sabatini’s swashbuckling tale of the Seventeenth Century, Captain Blood, are coming to life on the Warner Brothers set in Burbank, California, in this year, 1935.
One of the most interesting sets I have seen in visits to many studios, is the great, sprawling layout if a Jamaican slave plantation of the Captain BloodCaptain Blood, as you know, is the story which gives Errol Flynn, the Irish adventurer, his big chance in pictures. Chatting with him idly between scenes, I discovered that while his adventures in Captain Blood are thrilling, he has had almost as exciting ones in his own life before he came to America. He has a terrific scar on his left leg from an arrow shot at him by African natives.
LIFE’S BIGGEST SCARE
He was lost in the African jungles, and for two days, while hunted by the incessant tom-tom of drums, he hid from the natives and tried to make his way to safety. “Never in my life have I been so frightened” he told me.
But more about these interesting sets of Captain Blood. On still another stage are two huge replicas of galleons of that day, on of the Arabella, a Spanish ship, the other the Diligent, a French pirates’ boat. They are a beautiful sight to come upon, and it takes you a moment to realize they are only half ships that move back and forth on pulleys across the stage against the painted canvas sea background, instead of sailing the Caribbean as they did in Captain Blood. I climbed up on one, and I assure you it gives you a thrilling feeling.
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The Jamaican Plantation*
*Imagery from the superb “Blonde at the Film” review of “Captain Blood 1935”
— Tim
“A Tawdry Tale from Tinseltown”
14
Aug
“In the 1950s, Confidential magazine, America’s first celebrity scandal magazine, revealed Hollywood stars’ (alleged) secrets, misdeeds, and transgressions in gritty, unvarnished detail. Deploying a vast network of tipsters to root out scandalous facts about the stars, including sexual affairs, drug use, and sexual orientation, publisher Robert Harrison destroyed celebrities’ carefully constructed images and built a media empire. Confidential became the bestselling magazine on American newsstands in the 1950s, surpassing Time, Life, and the Saturday Evening Post. Eventually the stars fought back, filing multimillion-dollar libel suits against the magazine. The state of California, prodded by the film studios, prosecuted Harrison for obscenity and criminal libel, culminating in a famous, star-studded Los Angeles trial.” Errol was one of those stars. He and others, including Maureen O’Hara, won via settlement, helping to eventually financially bankrupt the morally bankrupt gossip rag, which was said to be the largest read magazine in America (mostly read in grocery store lines, I suppose.)
“Actor Errol Flynn puts his fingers to his nose as he passes opinion on “Confidential Magazine” on arrival in New York City from Paris on Aug. 14, 1957. Flynn is scheduled to testify as a witness in the criminal libel trial of the magazine in Los Angeles. (AP Photo)”
And here are a couple of photos of Francesca de Scaffa and her ex-husband Bruce Cabot – who she divorced the day before! – out on the town with Errol and Pat in 1951. De Scaffa was secretly paid by Confidential for providing information about Errol. Some friends those Cabots.
De Scaffa Dining with/Spying on Flynn
— Tim
The Most Thrilled Girl in Hollywood
11
Aug
August 11, 1936
Louela O. Parsons
Los Angeles Times
Sally Eilers is the most thrilled girl in Hollywood over winning the women’s doubles title with Josephine Cruikshank in the West Side Tennis Club’s first annual tournament; club members, headed by Errol Flynn, Frank Shields and Michael Bartlett, campaigning for less eccentric court attire. We’re with them 100 percent as long as they don’t bar Nigel “Willie” Bruce’s battered felt hat and John Cromwell’s pipe.
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Here’s sexy silent and early talkies star, Sally Eilers. Her first husband was Hoot Gibson , who can be seen having a hoot in this Dodge City Premier photo featuring Errol. Her second husband was Harry Joe Brown, who produced both Captain Blood and Son of Captain Blood. In fact, Harry Joe Brown may have been the prime person responsible for Jack Warner’s selection of Errol as Captain Blood.
And here is the 1934 U. S. Tennis Team – Caroline Babcock, Alice Marble, Josephine Cruikshank, and Sarah Palfrey – as they boarded the steamship Bremen to return to the U.S. after defeating the United Kingdom team at Wimbledon. Josephine Cruikshank is third from the left. Alice Marble, another tennis friend of Errol’s (who won 18 Grand Slam Championships!) is second from the left.
Josephine Cruikshank a regular at the Los Angeles Tennis Club where the Pacific Southwest Championships as well as the Motion Picture tournaments were played. Other players at the club included Mickey Rooney, Rudy Vallee, Ozzie Nelson, Sam Yorty and Bing Crosby. Errol asked Josephine to be his partner in the Motion Picture championship final in 1937.
— Tim
“Picture. Picture.”
09
Aug
August 9, 1937
Film Flam with Sidney Skolsky
Errol Flynn, while on a boat returning from Spain, was stopped on the deck by a Frenchman who was carrying a camera. The Frenchman said: “Picture. Picture.” Flynn stopped, stood against the rail and posed.
The Frenchman said: “No. No. You Take picture of me.”
…
C’est La Vie!
— Tim
A Flynn Farm Call for Hoppers and Cockatoos
08
Aug
August 9, 1939
The Wireless Weekly
Errol Flynn Wants Australian Pets
Cockatoos and Wallabies For Hollywood Home
Hollywood, the land of milk and honey, the home of plenty. Just everything in the world can be purchased there — except a pair of wallabies and a pair of those good old Australian cockatoos.
Errol Flynn, dashing Australian star, lately seen here in “Dodge City,” has been rushing round lately building and furnishing his new home, which now seems to be complete — but still not to the satisfaction of Errol.
In a letter to Sydney, Errol states that, while his home is all that could be desired, it misses out on just two things, and those things – shades of Australia! — are wallabies and cockatoos.
One would expect Mr. Flynn to favor perhaps a lion cub or a polar bear. But no; a pair of hoppers are his prime interest, with a pair of old yellow crests as second favorite.
Last week, Dorothy Flukes, of the Warner Bros.’ Australian office, told country listeners of the interest the Flynns are taking in their lovely new home, and she went on to give a few highlights of Errol’s life since reaching Hollywood.
Can Anybody Oblige?
Pearl fishing, prospecting, island trading, and even a little black-birding all supplied the earlier background for this colorful character.
If anybody has a pair of wallabies or cockatoos, or even one of these animals or birds that they would like to send to Mr. and Mrs. Flynn as a present for their new home, then a line to Miss Flukes, care of Warner Bros. Pictures, Sydney, will take care of everything.
Miss Flukes will arrange for cartage, transport, customs, feeding, etc., and at the same time arrange for Errol Flynn and his beautiful wife (Lili Damita) to send to the giver a personal letter of thanks and a photograph of the pets in their new home.
— Tim
What the Picture Did for Me
07
Aug
“August 7, 1937
MPH
What the Picture Did for Me
The Green Light, Errol Flynn, Anita Louise – Just a natural for any spot. This was thoroughly enjoyed by all. Too bad we could not get more productions like this. Good cast and excellent story. Running time: nine reels. July 15 – A. L. Dove, Bengough Theatre, Bengough, Saskatchewan, Can. Rural and Small Town Patronage.”
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Bengough, with a population of about 337, is known as the “Gateway to the Big Muddy (Valley and Badlands)”. Before Errol was seen by the populace in and around Bengough, the gentlemen in the photo below used to show up in the area to escape U.S. legal authorities. Their names were Butch and Sundance.
…
“August 7, 1937
MPH
What the Picture Did for Me
The Prince and the Pauper: Big time stuff in any man’s town. Box office all the way. Running time, 115 minutes – W. E. McPhee, Strand Theater, Old Town, Maine. General Patronage.”
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In 1936, the Strand featured Bing Crosby in Rhythm on the Range. The theater was upgraded and modernized as depicted below to accommodate Old Town’s mid-1930s population of approximately 7500.
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— Tim
A Field Day for Flynn
06
Aug
August 6, 1953
H.H.T.
New York Times
Master of Ballantrae at the Paramount
With plenty of good, old-fashioned muscularity crowding a highly pictorial Technicolor frame, at least three-fourths of “The Master of Ballantrae” makes a rousing, spectacular outlet for a pair of estimable adventurers, Errol Flynn and the master himself, Robert Louis Stevenson. In the new Warner Brothers arrival at the Paramount yesterday, Mr. Flynn is leading a fine, predominantly British cast through one of the liveliest, handsomest and most absurd screen free-for alls ever to leave the Victorian talespinner’s pen. If the excessive length and staggeringly heroic exploits can be pinned on Warners and Mr. Stevenson, respectively, no one, assuredly, should question the lavish elasticity of the proceedings. It is played well by the entire cast, and seasoned throughout with some brazen drollery. The film was gleamingly authenticized in such locales as Scotland, England and Sicily. Herb Meadow’s adaptation fittingly charts a cluttered, tumultuous odyssey for the indefatigable protagonist, leader of the fiery Durisdeer clan and fugitive champion of the Stuart Restoration, as he engineers a magnificent career in high-seas piracy and returns home, a wiser, if no less boisterous, rebel. The direction of William Keighley is equally alert and scenic, whether scouring the craggy, heather-strewn battlegrounds of the clansmen or capturing the lusty barbarism of the pirates’ island sanctuary. And since the dialogue is more often pungent than standard, the motivations and characterizations retain a surprising air of conviction, for all the flying kilts, sabers and sails. Mr. Flynn is, in turn, bold, roguish and forgiveably self-satisfied in his best swashbuckler since “The Sea Hawk,” thirteen long years ago. The featured players, a spanking round-up, are crisp, restrained and forceful, one and all, particularly Roger Livesey and and Anthony Steel, and the ladies in the case, Beatrice Campbell and Yvonne Furneaux. Last but not least, the truly stunning color photography of that British ace, Jack Cardiff, provides a canvas that stands as a model of its kind and fully rates the classic archive reserved for Mr. Stevenson, long, perhaps, after Mr. Flynn and company are forgotten. Meanwhile, Mr. Flynn is having himself, as well he might, a field day.
THE MASTER OF BALLANTRAE, screen play by Herb Meadow, based upon the Robert Louis Stevenson story directed by William Keighley and presented by Warner Brothers. Jamie Durisdeer . . . . . Errol Flynn, Col. Francis Burke . . . . . Roger Livesey, Henry Durisdeer . . . . . Anthony Steel, Lady Alison . . . . . Beatrice Campbell, Jessie Brown . . . . . Yvonne Furneaux, Lord Durisdeer . . . . . Felix Aylmer, MacKellar . . . . . Mervyn Johns, Arnaud . . . . . Jack Berthier, Mendoza . . . . . Charles Goldner, Maj. Clarendon . . . . . Ralph Truman
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— Tim
