BIRTH: December 17, 1926
Miltonvale, Cloud County, Kansas, USA
DEATH: March 22, 2014 (aged 87)
Portland, Jamaica
The Last Mrs. Flynn discusses Errol
— Tim
Archive for the ‘Newspaper & Headlines’ Category
In Memory of Patrice
22
Mar
End of An Era – Errol and Warner Brothers
21
Mar
New York Times
March 20, 1954
ERROL FLYNN ENDS PACT AT WARNERS; Actor and Studio Agree to Part
HOLLYWOOD, Calif., March 19 — Errol Flynn and Warner Brothers have agreed to an amicable termination of their twenty-year association. VIEW FULL ARTICLE IN TIMESMACHINE »
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WARNER BROTHERS’ FEATURE FILMS WITH FLYNN, with costs and earnings:
Murder in Monte Carlo (1934) – cost and earnings not available
Case of the Curious Bride (1935) – cost and earnings not available
Don’t Bet on Blondes (1935) – cost and earnings figures not available
Captain Blood (1935) – cost $995,000, earnings $2,475,000
The Charge of the Light Brigade (1936) – cost $1,076,000, earnings $2,736,000
Green Light (1937) – cost $513,000, earnings $1,667,000
The Prince and the Pauper (1937) – cost $858,000, earnings $1,691,000
Another Dawn (1937) – cost $552,000, earnings $1,045,000
The Perfect Specimen (1937) – cost $505,000, earnings $1,281,000
The Adventures of Robin Hood (1938) – cost $2,033,000, earnings $3,981,000
“Four’s a Crowd” (1938) – cost and earnings not available
“The Sisters” (1938) figures – cost and earnings not available
The Dawn Patrol (1938) – cost $500,000, earnings $2,185,000
Dodge City (1939) – cost $1,061,000, earnings $2,532,000
The Private Life of Elizabeth and Essex (1939) – cost $1,073,000, earnings $1,613,000
Virginia City (1940) – cost $1,179,000, earnings $2,120,000
The Sea Hawk (1940) – cost $1,701,000, earnings $2,678,000
Santa Fe Trail (1940) – cost $1,115,000 earnings $2,533,000
Footsteps in the Dark (1941) – cost and earnings not available
Dive Bomber (1941) – cost $1,204,000, earnings $2,613,000
They Died with Their Boots On (1941) – cost $1,358,000, earnings $4,014,000
Desperate Journey (1942) – cost $1,209,000 earnings, $3,980,000
Gentleman Jim (1942) – cost $972,000 earnings, $3,842,000
Northern Pursuit (1943) – cost $1,290,000 earnings, $3,252,000
Edge of Darkness (1943) – cost $1,653,000 earnings, $3,669,000
Thank Your Lucky Stars (1943) – cost $1,560,000, earnings $3,621,000
Uncertain Glory (1944) – cost and earnings not available
Objective Burma (1945) – cost $1,592,000 earnings, $3,961,000
San Antonio (1945) – cost $2,232,000, earnings $5,899,000
Never Say Goodbye (1946) – cost $1,011,000, earnings $2,603,000
Cry Wolf (1947) – cost $1,461,000, earnings $2,690,000
(The Lady from Shanghai – uncredited cameo appearance)
Escape Me Never (1947) – cost $1,900,000, earnings $1,569,000
Silver River (1948) – cost $3,204,000, earnings $3,484,000
The Adventures of Don Juan (1948) – cost $3,408,000, earnings $4,772,000
Montana (1950) – cost $1,589,000, earnings $3,647,000
Rocky Mountain (1950) – earnings $2,000,000 (North America)
Maru Maru (1952) – cost and earnings not available
The Master of Ballantrae (1953) – earnings $2,000,000 (North America)
Too Much Too Soon (1958) – cost and earnings not available
— Tim
Partners at LaMaze*
18
Mar
* The “cafe”/restaurant/nightclub, not the natural childbirth technique.
The partners were:
Errol and Lili
Dolores and Cedric
Marlene and Gilbert(?)
Howard and Frances
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March 18, 1936
Louella O. Parsons
Los Angeles Examiner
Errol Flynn, Lili Damita, Gilbert Roland, Marlene Dietrich, Dolores Del Rio and Cedric Gibbons at the Cafe LaMaze in a party; at a nearby table Howard Hughes and Frances Drake.*
* The actress, not the explorer.
— Tim
Ides of March, 1933 — Errol’s First Public Screening
15
Mar
March 15, 1933
Sydney Morning Herald
EXPEDITIONARY FILMS LTD. “BOUNTY” PICTURE LAUNCHED!!
To-day, at the Prince Edward Theatre, the film, “In the Wake of the Bounty,” which Mr. Charles Chauvel produced recently, with Tahiti and Pitcairn Islands as the principal backgrounds, will be given its first public screenings.
At the Australia Hotel yesterday, the directors of Expeditionary Films Ltd., under whose auspices Mr. Chauvel has made the film, entertained members of the Press and the motion picture Industry at luncheon.
Mr. S. Utz (Chairman of Expeditionary Films, Ltd.) presided. COL. M. P. Bruxner, who is a member of the company, outlined some of the difficulties which Mr. Chauvel had to face In making the film; difficulties of transport; difficulties of organisation; and, finally, difficulties of censorship. The members of the company, being amateurs in the film business, had been amazed, and then appalled, at the amount of obstinacy and pugnacity which had to be displayed, before a film finally reached its public.
Mr. C. Brunsdon Fletcher spoke of the essential soundness and solidarity of the British Empire, in a world where every other nation was reeling beneath the shock of disaster (the depression). After all, it was human character, as expressed in national outlook, which remained the predominating factor. The producers of this film had done something decisive and valuable to make their country known elsewhere.
Mr. Hec C. MacIntyre (Managing Director of Universal Films – Aust) said that his Company considered it was only doing Its duty in trying to establish Australian films abroad. The launching of the Australian product In England, was no easy matter, either. The English exhibitor was conservative. He preferred to concentrate on English and American productions. Some of the earlier Australian films had been extraordinarily difficult to market. In Mr. Chauvel’s picture, however, he was confident that he had something to appeal to the tastes of the whole world.
Mr. H. Saxton (Secretary of Expeditionary Films) also spoke.
…
— Tim
Florida Spring Break for the Flynns
13
Mar
March 12, 1938
Louella O. Parsons
Los Angeles Examiner
Lili Damita leaves for Palm Beach shortly to meet Errol Flynn and come back through the Canal with him.
— Tim
The Whereabouts of Flynn
10
Mar
Long before the United States of Mexico Ports of Entry to the United states of America were making big news, as they are these days, Errol was crossing through many of them. Here is one of his notable ones, his attempt to travel incognito through the border gate at Brownsville to Mazatlan (with Senora Damita believe it or not!)
…
…
March 9, 1939
Evening Herald Express
FLYNN IN TEXAS ON NEW FILM RUNOUT
Errol Flynn, dashing screen star who is supplying Warner Brothers publicists with a headache, was reported proceeding to Mazatlan, Mexico, today and running out on his film studio’s stunt for a picture.
Traveling incognito so far as it was possible – and it was pretty difficult after Warner’s offered a $500 reward for his capture. – Flynn and his wife Lili Damita, would only comment at the Brownsville airport today that they were “making a little trip.”
Then the couple took a plane to Mexico City. It waa understood Flynn’s plans included a hunting trip to Mazatlan. Warners wanted its playboy to go to Dodge City, KS, for the premiere of a picture by that name.
…
…
March 10, 1939
Harrison Carroll
Evening Herald Express
Warners wished they hadn’t offered $500 reward for information on the whereabouts of Errol Flynn. Within a few hours after the story hit the wires, the studio had received 143 telegrams from all parts of the country. Some of them were gags, but a large number brought actual information…and now the studio is faced with the headache of trying to figure out who deserves the reward.
…
Did tightwad J.W. pay up??? Doubtful!
— Tim
aka F.X. Pettijohn — Errol Flynn, Like You’ve Never Seen Him Before
09
Mar
Footsteps in the Dark
Released March 8, 1941
“Ralph Bellamy said Flynn was “a darling. Couldn’t or wouldn’t take himself seriously. And he drank like there was no tomorrow. Had a bum ticker from the malaria he’d picked up in Australia. Also a spot of TB. Tried to enlist but flunked his medical, so he drank some more. Knew he wouldn’t live into old age. He really had a ball in Footsteps in the Dark. He was so glad to be out of swashbucklers.””
— Tim
Against All Flags at the Madam Walker Theater
08
Mar
March 7, 1953
Against All Flags at the Historic Madame Walker Theater in Indianapolis
— Tim
