Seal of the Archdiocese of Burgos, Spain
Archbishop of Burgos, Manuel de Castro Alonso
Generallisimo Francisco Franco
Forty Years of Censorship
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A new book recounts the alterations made to movies and their posters by censors during the Franco regime.
The censors’ scissors were never idle during the Franco dictatorship. The movie industry, with all its provocative and insinuating images, was a great source of headaches for the watchdogs of public morality – especially since going to the movies was the main form of entertainment for society in the wake of the Spanish Civil War.
And so censors were very careful to ensure that any film that was screened in Spain contained no negative influences on issues such as religion, politics, the army, prostitution, divorce or adultery.
Sex became a real obsession for the regime, and it was persecuted with all the weapons at the censors’ reach. Poster draftsmen and movie theater impresarios had to really stretch their imaginations to make their billboards reflect the American, English or French realities. This was not always achieved.
A new book, La Censura Franquista en el Cartel de Cine (“Franco’s censorship in movie posters”), by Bienvenido Llopis, analyzes 40 years’ worth of censorship in Spain through films. The conclusion is that cleavages were reduced, legs were covered up, and scenes with beds in them were avoided altogether.
Movies were banned and stills were cut out,” Llopis notes. “But it was just as important to control movie advertising. Major Hollywood stars who embraced the Republican cause – James Cagney, Joan Crawford or Robert Montgomery – had their names pulled from Spanish movie posters, while titles that might suggest a double meaning were changed.”
The idea for the book came to Llopis one Sunday morning at the Madrid flea market, the Rastro. There he was, sitting at his stand, selling movie memorabilia, when a man showed up saying he had a program for the movie Camino de Santa Fe, which had obtained the censors’ approval everywhere in Spain save for the city of Burgos. The archbishop there insisted that Errol Flynn and Olivia de Havilland’s kiss be hidden with a seal.
The man turned out to be the owner of a movie theater in Burgos, and he promised to return with the movie program. “I waited for him for many Sundays, until one day he showed up again, and when I saw [the program], I thought I have to make a book out of this.”
— Tim
