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Early Antipodean Recollections.

19 May

In the sub-antarctic climes of  Hobart, far removed from any sirocco breeze there was another history. A scant history of a young boy who could never have known what life had in store for him. Hobart was Australia's second settled city. Its early architecture is still very evident today.One only has to take a casual stroll around Battery Point to achieve a sense of  colonial history. Ostensibly not much has changed over a hundred years except for a careful gentrification of this inner city area.

Its not hard to imagine the young Errol frequenting this area especially when we consider that tall ships and clippers would tie up along the foreshores of Salamanca Place as more modern vessels do until this very day.Errol's love of the great wide oceans certainly must have been  imprinted at an early age and indeed he may have wondered what good wind lay in wait for him.

During the mid 1980's I was fortunate to make the acquaintance of two gentleman from Errol's youth.Don Norman and Alan Mansfield. Each were childhood friends with Errol and all three would attend boxing training together. Don was to tell me “Errol could hold his hands up, he had to, he was picked on for his looks” ! Whilst each fought in different weight divisions they certainly applied themselves to their training as both Errol and Alan were state champions in their respective divisions.Alan was divulge to me that it was very sentimental to him whenever he watched  'Gentleman Jim', “I felt that a part of me was in the ring with him”! “Errol could really box”!

Alan (Mansfield) and Errol had often walked to school together  and in his reminiscing he would  ask me to forgive an old mans tears. “After Errol left Hobart to attend school in Sydney , New South Wales, I never saw him again although I watched his career with great interest”. …”but I did meet up with him again during WW2 whilst on shore leave in SanFrancisco”. At this point in our conversation, Alan's demeanour  becomes light and animated. “There we were marching down a street in SanFrancisco and we passed an open air restaurant that was one story high. ..and then I heard a voice from my past, “Alan , Alan old sport” ! “I looked up and it was my old chum…he was my best friend when were kids”. Alan was to tell me that Errol was always on the lookout for any Australians . ” Come up here and have lunch with me” was Errols cry. Alan replied ” I'd like to but I've got about eighty mates here”. “Well bring them up with you then”.

Alan Mansfield had been reunited with his best mate from school and he an Errol and eighty other servicemen had the afternoon of their lives. I think its demonstrative of Errol's affection for Hobart and Tasmania and those early years . I think its wonderful that Rory has returned to Hobart in recent times. I know it will help her connect to the formative years and heritage of the man she knows as 'The Baron' .

…thats all for this blog entry……travel well everyone

— Chris Driscoll

 

We Welcome New Author Chris Driscoll to The Errol Flynn Blog!

17 May

Welcome Chris! We look forward to your thoughts and contributions!

                  

— David DeWitt

 
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We Welcome New Author Murphy Scott to The Errol Flynn Blog!

09 May

Murphy Scott joins us as our Newest Author on The Errol Flynn Blog! Murphy, we look forward to your contributions! Welcome aboard!

— David DeWitt

 

How Come I'm Dead by Glen McDonald

08 May

This is a book that contains information on EF's final visit at the Vancouver morgue.  The chapter is entitled Captain Blood's Last Hurrah.  Maybe I am being a bit morbid, but I am reading all that I can find about him.  Can anyone tell me if the accounting of the events by Judge McDonald are accurate? 

 “We didn't find much in the way of personal effects . . .There was a ring.  It was on, I believe, his left hand but it wasn't particularly noticeable . . . it looked pretty cheap to me, in fact, like a trinket from a five-and-dime store. . . .”

Could this have been a keepsake of some sort?

— Kathleen

 

Tom McNulty's New Website!

07 May

Head on over to ThomasMcNulty.com… to see our own Thomas McNulty's new place on the WWW (not the Wild Wild West but I'm sure he'd like that)!

— David DeWitt

 
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We Welcome New Author Kathleen to the Errol Flynn Blog!

30 Apr

I happy to announce New Author Kathleen to the Errol Flynn Blog! Kathleen, we look forward to your thoughts and contributions! Welcome aboard…

— David DeWitt

 
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Errol Flynn on Radio!

30 Apr

WE have some wonderful Errol Flynn audio Recording on this page!

— David DeWitt

 

Robert Florczak Video – GOTHIC

27 Apr

 

— David DeWitt

 
 

Errol Flynn on Twitter!

25 Apr

Just started a Twibe. Visit twibes.com… to join.

— David DeWitt

 
 

Film-maker Cardiff dies aged 94

22 Apr
Thanks to Bob Peckinpaugh for notifying us…
 
Cinematographer and director Jack Cardiff, who actress Marilyn Monroe once described as “the best in the world”, has died aged 94.

He was best known for his work on movies such as The African Queen and Sons and Lovers, and was awarded an Oscar for Black Narcissus in 1948.

The filmmaker was also presented with an Honorary Oscar in 2001.

Born to two music hall artists, he grew up in the theatre, resulting in a showbusiness career spanning 90 years.

He moved into film as a runner on the 1928 drama The Informer, then progressed to work as a camera operator and, eventually, cinematographer.

In an article for The National Gallery in 2007, Cardiff described his early film set experiences.

“I suppose I was much less than an apprentice when I first went behind the camera,” he wrote.

“I was a runner, whose main job was to supply the German director with Vichy water because he had a problem with flatulence.”.

He also described how, as a child, he used to watch art directors work in theatres, painting the backdrops and setting up the lights.

“I was fascinated by two men up in the wings, one on each side of the stage, following the actors with a spotlight,” he wrote.

“I spent a lot of time with them and a stirring was born in me which I later recognised as an urge to create. Light and colour became my world.”

In 1937 he shot Wings of the Morning, the first film in Britain to be shot in Technicolor.

He also worked with cinema greats Laurence Olivier and Marilyn Monroe in the 1957 movie The Prince and the Showgirl.

He was made an OBE in 2000.

Inspiration

In 2001, he took part in an interview with readers of the BBC news website, in which he revealed he would have been a painter if he had not worked in film.

In fact much of his work was inspired by impressionist painters – he said the lighting and colour palette of Black Narcissus “was inspired by Vermeer”.

Cardiff was admired by many in the film industry, including Martin Scorsese.

The director once described the 18-minute dance sequence in 1948's The Red Shoes as “a moving painting”.

Scorsese added the cinematographer could “paint with the camera”.

When asked which films he was most proud of, Cardiff said the “successful” ones had really made their mark.

“Naturally, I am proud of successful films that I have enjoyed working on like The Red Shoes and the Black Narcissus and I have had a certain satisfaction from that.

“But the films that I am most proud of – the film for instance that I made under great difficulty, Sons and Lovers, I wanted to make it into a good film because the book is marvelous and I didn't want to let the author down.”

— David DeWitt